Sunday Surprise


Words of wisdom, writers on writing, more writers’ quotes than ever! Happy Sunday!

I am more and more aware of this dichotomy in the indie community. There is a pervasive focus on vanity metrics like sales ranking or number of books sold over profit and money in the bank.

Many consider it ‘better’ to reach number one on Amazon in a category where they have paid for a ton of advertising than bulk sell thousands of books that no one will ever know about but have thousands of dollars extra in the bank.

As Orna Ross noted in the Blockchain for Books white paper,

“Many authors crave attention more than money and overvalue their work emotionally while undervaluing it commercially.”

Orna is a literary fiction and creative non-fiction author, poet and founder of the Alliance of Independent Authors, and told me that the biggest challenge for authors is “to understand that you are in business and what that means, as well as knowing the value of what you create.”

Orna has challenged herself to understand her ‘comps,’ or comparison titles, and to dig deep into the micro-genres around her books. She also stressed the importance of looking outside the publishing world for ideas – definitely something I felt coming out of the fair. I think we have more in common with the tech community than the publishing world most of the time.

Joanna Penn

 

And here you might be saying, WHOA WHOA WHOA, WHY ARE YOU NOT TELLING ME TO CONSIDER MY CAREER, OR THE MARKET, OR TO CONSULT THE ORACLES OF PUBLISHING.

Listen, you can care about that stuff.

Maybe you even should, I dunno. It’s certainly not the worst idea to try to imagine what things might sell and what things might not. But… the reality is, nobody actually knows anything? I’ve made this point before but it demands a return visit: nobody knows anything inside publishing. They can make guesses. Many can make educated guesses based off insight and experience. But there’s no answer. And by the time you actually write the thing that might serve the market, the market will have changed. As I’ve said before, you’re aiming your spaceship at a star that has already burned out — the light from it just hasn’t caught up yet. The market is an unknowable entity. It is a lightless, doom-filled eye whose only language is chaos. It’s Sauron, it’s the Death Star, it’s Kanye West’s Twitter account. My advice is to stay away from it.

Chuck Wendig

 

After innumerable rounds of revisions, when the stress of ‘will it sell or will it die?’ had disappeared, I finally began to chip away at a new idea. And you know what?

I wrote another book. Sometimes I wrote for eighteen hours on both Saturday and Sunday, every weekend for a month. And sometimes I didn’t even open the document for four weeks. But eventually, it became a book shaped thing, and I realized that I didn’t have to write every single day to be a writer. I have to write when the ideas won’t simmer anymore and come to a boil. I have to write when I’m able to devote my thought processes to the project at hand, and not the one that hasn’t sold, or the one that I need to revise. I have to write when my job or my kids or my yard work or any of the other responsibilities I have aren’t dragging at my thoughts. Sometimes that happens every day, and sometimes it doesn’t happen for a month, but the fact is, just because my life gets in the way sometimes does not mean that I’m not a writer. If book shaped things eventually come out of my brain, then I am, by definition, a writer.

Stacey Filak

 

Leave your creative voice alone, folks.

Change to positive. And how do you do that with so much training in the other way? Actually, simply do three things…

1… Stop caring so much about the final product, just do the best you can.

2… Write one draft, clean with cycling in creative voice, and release with a promise to yourself you won’t touch it again.

3… Have fun. Make writing fun again. Make it play.

Then stand back because you will be writing stories you never expected to write and having a blast doing it.

Dean Wesley Smith

 

It’s none of their business that you have to learn how to write. Let them think you were born that way.

– Ernest Hemingway

 

But as a writer, you most likely will begin to tire of writing the same kind of thing over and over. As we age, our tastes tend to change. The lighthearted stories of wonder that we told when we were young might not become as interesting as other genres, and so many authors will want to explore—much to the dismay of their fans, who will feel disappointed and betrayed.

And so the mounting pressures from fans, publishers, agents, and spouses all combine to a point where the author just says, “Screw all of you!” and has to walk away for a while.

But here is the thing: If you’re an artist, it is not a lifestyle that you can choose. The truth is, those creative fires keep burning within you, and you have to come back. You will be different, will have grown and evolved, but you’re still a creative.

I believe that you will find that your inner joy is still tied to the arts. So the old band gets back together, minus a player or two, with a couple of new faces. Or the painter picks up his brush and begins a new work, or the writers wakes up in the middle of the night and can’t get a dream out of his head until it transforms into a story.

The thing that I want to say is this: In life, we undergo creative highs and lows. At the highest points, we might sit and write for sixteen hours a day and it feels as if the book is merely “writing itself” while all that we do is type. At a low point, we might wonder if we will ever be able to write again.

David Farland

 

If you think of stories as conversation—gone after the words are uttered—you won’t be as tempted to go back and tweak. Just let the words represent that past moment. Move forward. Move on.

Realize that there are lot more important things in the world right now than some perceived literary transgression.

And because we’re all stressed and terrified and grieving, we need fiction. A lot of it. Some people want entertainment that they call mindless. (I don’t think any entertainment is mindless.) Others want an incredible challenge. And still others want to have their buttons pushed in fiction, so their buttons don’t get pushed in real life.

Our job is to provide all of that. Write. Write a lot. Give the stressed and grieving a different world, something else to think about, a different preoccupation, if only for a few hours.

There’s value in that. A lot more value than we writers usually give credence to.

So write the tough topics. Write the easy topics.

Just write.

Because that’s what we do.

Kris Rusch

Sunday Surprise


And it’s the last words of wisdom or writers on writing of the year! Next “episode” in 2021, hoping these wise words don’t become obsolete by the time I publish them… Have a great Sunday! 🙂

Being an entrepreneurial author gives me the freedom to write what I want, to work the hours I choose, and to say yes to the partnerships and opportunities I want to while graciously declining the rest. There are no gatekeepers that get to judge my work or tell me its not commercial enough to attract advertisers, and no investors that want me to push their agendas. It’s just me, writing what I want, sharing it with the world the best I can, and empowering my readers to think, dream, and live differently.  And that makes all the hard work worthwhile.

Doing these things while writing your books and building your author brand will give you higher levels of joy, happiness, and fulfillment along the way. Happy writing!

Sheri Fink

Six stories in six weeks clears the head.

It’s simple. Straightforward. It cuts the noise by giving a writer who is flailing something to focus on. I know this is true because that’s where I was when I came to me second Anthology Workshop. I knew what I wanted. I knew I wasn’t getting there. There were so many moving parts going on around me, so many things to think about. Six deadlines in six weeks settled me out.

Looking back, I realized I needed those deadlines to get myself into a healthier headspace. Focus, remember? Production Writing is about focus, not wordcount.

And once I got there, I came to the workshop fully prepared for the whole learning experience–an experience that, since I was ready, I can probably say went a very long way toward changing my life.

Ron Collins

Write. Write. Write. So many people come to me wanting to talk about how to break into publishing, and my first question is always the same—how many books have you written? Inevitably, they are still working on their first, which is fabulous, but they aren’t ready to talk about publishing. They need to be focused exclusively on honing their craft and making their books as good as they can possibly be to give them the best chance of finding readers who have thousands of authors to choose from. If you get them to read your book, you want to keep them, and the only way you will do that is to continue to write great books that keep them coming back for every new release. There’s no shortcut, get-rich-quick scheme or weekend workshop that will make that process “easier.” It just takes time and perseverance to get your books to the point where readers are clamoring for them.

Marie Force

The amateur continuously rates himself in relation to others, becoming self-inflated if his fortunes rise, and desperately anxious if his star should fall. The amateur craves third-party validation.

– Steven Pressfield, Turning Pro

Advocacy is what you are truly chasing, rather than those reader eyeballs or even dollars – an army of superfans who do the selling for you.

David Gaughran

Start by realizing that you can only compare yourself to who you were as a writer last year. We are all at different points on the writer’s journey and we only ever hear the highlights in the media.

We don’t know what happened to that suddenly-famous debut author before their breakout book and we might be mistakenly comparing ourselves to someone who has been ghostwriting under another name for ten years, or have five novels that were rejected before the one that hit big.

(…)

You could even turn what you learn into a blog post or journal entry or add items to your To Do list.

If I read a book by an author I have been jealous of and I like it, I’ll always promote it to my own audience in the ultimate reversal of jealousy.

Celebrate the success of other authors and it will make you a happier writer, plus it will build your network over time.

Joanna Penn

Stop looking at what other people are doing and look at what you’re achieving. Stop looking sideways, look at where you’re going.

– Jocelyn Glei, Manage your Day to Day

Sunday Surprise


Well, instead of monthly it looks like it’s bi-monthly… anyway, here goes writers on writing, words of wisdom or whatever you want to call them! Have a great Sunday!

You see, literature professors who study writing usually don’t write. They’re too busy teaching to get much writing done. Many of them have some odd notions that they perpetuate. For example, they talk about “waiting upon the muse.” A real writer doesn’t wait for his muse. If she doesn’t show up, the writer might have to grab a rifle and go hunt her, sneak into her lair, roust her out of bed, and pull her kicking and screaming into the daylight. (We do it by researching and brainstorming.) Or if the muse doesn’t show up, we’ll go ahead and keep writing anyway, just go it alone for the day.

You see, a real writer learns to manage his or her creative state, to fall into it when needed.

David Farland

“It’s not self-loathing,” I finally said, then went on to say that these writers aren’t hating themselves, or even hating their work. Not really. Instead, they’re just worried. Being a writer often means you’re working without a net, and without feedback. If you’re an engineer, you know that open loop systems are dangerously unstable, and that’s what’s happening here. “Sometimes writers get to the point where they don’t know if they’re good enough,” I said. “and they’re alone, and all they see out in the world is this big sucky vat of sucking darkness that’s draining their soul without giving them an ounce of feedback to let them ground themselves.”

In cases like this, a writer can get so caught up in themselves that they just flail around and then find themselves stagnating.

Ron Collins

Make stuff that no one else will make. Part of the reason I do what I do is because I’m the only one who can do it.

And there it is, that thing, that truth. I don’t believe most of us think about that much. We’re trying to get our stories on the page. But in reality, they’re our stories, not someone else’s. We write from who we are. We can’t help it. If we allow ourselves to be ourselves in our work, then our work will feel original. If we try to emulate others, it won’t. (Vonn says the worst advice she ever got was to try to be like someone else.)

Kris Rusch

Publishing today bears no resemblance whatsoever to the business I entered ten years ago when there was only one way to get to readers—through traditional publishers. I read a quote from an editor somewhere that said publishing has changed more in the last ten years than in the previous fifty years combined, and I agree with that. Now there are endless opportunities for authors who have great stories to share with readers. If your story doesn’t fit the needs of a traditional publisher, you can self-publish it and find success. We’ve found that there is an audience for just about every story, and what would never fly with a publisher can be hugely popular with niche readers. In my workshops, I tell other authors that this is the best time in the history of the written word to be an author. It’s a very exciting time to be in this business. That said, however, it’s still a tough business to break into. That’s one thing that hasn’t changed. I tell newer authors to put all their focus on their books. If there is a “magic” wand that leads to success in this business, it’s in the books.

Marie Force

Making a career in creativity is itself a hugely creative act. It doesn’t just spontaneously happen. You have to build it, step by step, just as you do the individual creations themselves. It’s time plus dedication plus skill – whether innate or cultivated, ideally both.

So… how? Who the hell would put themselves through something like that? More particularly, why, when there are easier ways to make a living, with more guarantees.

Because of the joy of it.

It doesn’t matter how exhausted I am, how idea-dead, how burned out I might be on the very idea of writing one more word – the cure is almost always one thing: writing one more word (or a thousand.) When I start creating, I feel a surge of uplift deep inside. Sometimes it’s a whisper, sometimes it’s a roar, but it’s always there, and it’s always been there, even during the years when no one cared.

I know many people come to this site for thoughts on how to become professional writers, and I think that’s one of my biggest pieces of advice. Listen to yourself, find the joy in just, simply… making things up. Now, if you can’t hear it, ever… well, I think that’s telling, and you should listen to that too. But if the joy is there, you should find ways to cultivate it, to access it when you need it, because it’ll be there for you when nothing else is. A life in creativity all begins there, to my mind – not a desire for money or fame (fleeting if they happen at all.) Joy is a reward in and of itself, and if you find it, you don’t need anything else.

Creativity is a fire that feeds itself. The output is incidental; the smoke from that fire.

Why do you sit by a fire? Not because of the smoke.

Charles Soule

Sunday Surprise


Well, then it looks as if I skipped the summer! Last entry like this one was back in June, yikes! Anyhow, here we go again. Words of wisdom, writers on writing, whatever you want to call them, enjoy these quotes and have a great Sunday!

As I was saying, you should listen to me because I don’t know what the fuck I’m talking about. Which is really the point of all this: the further I’ve gone down this path, the one thing I know with great resoluteness is that I know less than I did when I began. My certainties are far less certain. My knowledge has faded, and in its place has grown —

*mouth opens, rainbows and ravens shoot out*

WISDOM.

Or something like it.

Chuck Wendig

 

Career authors write a lot of books. One or two books is a great start, but to go the distance in this business, you need inventory, which means lots and lots of books! I find that many authors can write five or ten books, but can they write fifty or a hundred books? Inventory is where the rubber meets the road and makes the difference when it comes to longevity in a very competitive business. I encourage indie authors to keep their focus on producing new books and getting them out to readers as fast as they possibly can without sacrificing quality.

Marie Force

 

Editors do not write your book. You write your book. The idea is yours, the characters are yours, the setting is yours, the plot is yours, the voice is yours—unless you paid one of these “editors” to “fix” your manuscript, which considering how inexperienced most of these idiots are, consists of removing every trace of originality from your prose.

Even then, shades of your voice and your perspective remain.

Your book is yours, not theirs. Readers aren’t reading your book because Annoying Person took a red pencil to your prose. Readers are reading your book because you’re a hell of a storyteller, and they like the stories you’re telling.

Have some confidence, folks. Stop giving these egotistical editors so much credit. They’re people you hire, people whose advice you can (and should) ignore if they don’t understand your work or your voice.

Kris Rusch

 

Keep writing

I still feel the self-doubt, but it’s not crippling anymore, it’s just something that I acknowledge. I let it sit with me, and put my work out anyway because there’s a part of us inside, as writers, where if we don’t write, we’re going to cripple ourselves in other ways.

We’re going to be unhappy. We’re going to feel blocked.

You need to get your words out into the world.

You need to break through that self-doubt because your words are important.

We need to hear your voice. You don’t know whose life you could change with your story, or your non-fiction book, or the words, the wisdom you have.

As an introvert, the thought of the videos I share going out into the world and people seeing them is difficult enough. But we embrace it anyway as part of the process.

And that’s how we write, and create, put our words in the world, and change peoples’ lives.

Joanna Penn

 

WRITE IT BADLY. Write it badly, write it badly, write it badly, write it badly. Stop what you’re doing, open a Word document, put a pencil on some paper, just get the idea out of your head. Let it be good later. Write it down now. Otherwise it will die in there.

— Brandon Sanderson on overcoming writer’s block to create a first draft as a professional author

 

The fact is that no matter who you are, it’s almost guaranteed that your work is probably not where you want it to be. This could be because you don’t know what your work is (a writer is always a suspect judge of their own work), it could be that your work is actually flawed (your craft hasn’t been honed), or it could be any one of a hundred different things.

For new writers in particular, though, writing six stories in six weeks gives you the opportunity understand an important truth: the best way to learn how to tell stories is to tell a lot of stories.

To understand what I mean by that, let me state the counter rule: The slowest way to learn is to keep working on the same story over and over and over.

Ron Collins

P.S. on Wednesday I mis-scheduled the post… if you missed it, scroll down below! Sorry about that! 😊

Sunday Surprise


And a monthly feature again, words of wisdom, writers on writing or whatever you want to call it, here’s your five author quotes for June! Have a great Sunday!

My first publication was about 8 years ago, in a now dissolved webzine, Darkest Before the Dawn. No pay, just exposure. Since then I’ve been paid for certain projects, but routinely submit to publications that pay, and to publications that pay nothing. I have an MFA in nothing. I’m a low status individual and wear that title with pride. I know it sounds like sour grapes, but ultimately, all I’m seeking is for my creative freedom to someday overlap with financial freedom. I’ve heard it said the greatest thing about having money, is not worrying about it. I can honestly say I’m not driven by status or money.

Scotch Rutherford

And you know what, we’re right. The life of an artist is for others — because we just said so, and in saying so, we make it true.

But here’s the rub. Even after negating our creative potential, we’re bound to wake up the next day to a tickle of an idea dancing in a far corner of our mind, a memory that is trying to push a door open, a strange other world that is calling us. We wash those dishes, we pay that stack of bills, we drink that cheap bottle of wine, but we know there’s something else—we know there’s something more.

And there is something more. There’s the creative life. You don’t need a certificate for it, you don’t need to apply to do it, you don’t even need to ask permission to do it. You just have to claim it—and claim it every day by showing up to do it.

It’s not easy, of course. There will be naysayers, those people who think it’s silly or trivial to be a “creative type”, those who think it’s audacious and pretentious for you to write a novel, those who think you can’t do it because you lack the qualifications and the training. Unfortunately, because humans are social beings by design, we tend to measure our worth according to the opinions of others. Opinions that come from who knows where, but most likely others’ own insecurities, their need for you not to fulfill yourself—because if you fulfill yourself, you might make them feel small.

The arts don’t belong to a chosen few, though. Quite the opposite: every one of us is chosen to be a creator by virtue of being human. If you’re not convinced of this, just step into any preschool and observe the unbridled creative energy of kids as they immerse themselves in fingerpainting, telling wild stories, banging on drums, and dancing just to dance. They’re creative types because they breathe.

Grant Faulkner

“Imagination is like a muscle. I found out that the more I wrote, the bigger it got.”

― Philip José Farmer

Bloggers and podcasters love to discuss the state of the publishing industry. Depending on whom you ask, it’s either stronger than ever or plunging toward certain death. Generally it’s the latter, because bad/shocking news gets more attention. That’s why you hear more about teenagers dying in car crashes than elderly people going in their sleep. When I was a new author trying to break in, I gave these “publishing pundits” too much stock. I was genuinely concerned that by the time my debut was published, physical bookstores would no longer exist.

The truth lies somewhere between the two extremes. Yes, the publishing industry has undergone some major changes, especially in the past two decades. Major publishers have been consolidated into five big entities. More recently, the introduction of e-readers like the Kindle fueled the rapid growth of e-books. Brick-and-mortar booksellers like Barnes & Noble are struggling to adapt to a world in which more and more consumers shop online. So are most physical retailers, by the way. Google “holiday sales 2017” if you need convincing.

The publishing industry is not dying. It is evolving. People still buy books. They just do it online because you don’t need pants to shop online. People still visit libraries, but now they can use their library cards to borrow e-books and audiobooks. People still read, but they do it on their phones.

Change is the way of the world. Smart authors, agents, and publishers adapt and survive. Those who don’t adapt will eventually fade away. It’s that simple.

Dan Koboldt

Some of the things I’m going to relate here I seem to learn anew with every book. For example, for me a book comes together not from a single idea, but when two or more ideas clash in a kind of mental pile-up. I’ll have all these things swimming around my brain all the time, making me stare at walls and not hear my wife calling me. That’s just being a writer. But then something will happen. One idea about a character will stroll through my thinkmeat just as another idea about a cool scene is trying to make out with a third idea about “what if this was that”, then something greater than all those parts happens and boom! There’s a book. My brain is a strange place. HIDDEN CITY grew from just such a collision of cool ideas: parasitic fungus, magic out of control, a harmless drug turned deadly, a broken-down, grief-stricken citymage… But even then, once the idea collision had occurred and I saw a bigger picture in the shape of a novel, I still needed the story. This is the thing I learned again. The ideas were cool, but they’re not the story. As people wiser than me have said, plot is what happens, but story is why we care.

– Alan Baxter

Sunday Surprise


And it’s the day again. Words of wisdom, writers on writing, quotes for writerly life or whatever you want to call them. Have a great Sunday!

But the truth is, I always had confidence in myself as a writer – I had arrogance, even. Yet I had endless times of self-doubt. I think what carried me through was simply commitment to the job. I wanted to do it.

Talent is no good without commitment. I’ve had students who wrote very well, but weren’t willing to commit to write, to go on writing, and to go on writing better. But that’s what it takes.

“Feeling successful” – well, that’s something you have to work out for yourself, what it means to you, how important it is. You’re quite right that very good and highly celebrated writers may not feel “successful.” Maybe they have unhappy natures, and the Nobel Prize would just depress them. Or maybe they aren’t fully satisfied with what they’ve done so far, don’t feel they’ve yet written the best book they could write. But they have the commitment that keeps them trying to do it.

Hang in there. And don’t push it. No hurry! Writing is a lifetime job.

Ursula K. Le Guin

A few years ago, I met a famous novelist at a conference. He’d sold millions of books. It seemed like he published a new book every time the wind changed direction. As we talked about NaNoWriMo, though, he asked me, “How many novels does the world need, anyway? Why should so many people write?”

I sometimes twitch with churlishness when I hear questions like this. Somewhere within the question, I hear a gate crashing down on people’s creativity. I see a sign, “Don’t presume to call yourself a writer.” I feel a judgment: Why write a novel unless it’s going to get published and made into a product to be purchased and consumed? Why write a novel if you’re not going to make money from it?

The question disregards the spirit that has guided every writer since the beginning of time: the need to create just for the sake of creating. The need to shape the world, see through others’ eyes, tame reality, find oneself, lose oneself—to touch what is magical, astonishing, and wondrous; to exult the possible, to make the strange obvious and the obvious strange. And much more. This need is what we need to remember every day in order to show up at our writing gym and write the story that is demanding to be told.

Grant Faulkner

Why is Annoying Person on Amazon? Why is she all over Amazon?

Because writers don’t understand the “editor” field in KDP. That field is for anthology editors, like Fiction River. When we do a Fiction River, and I edit it, we list Kristine Kathryn Rusch as the editor. Because I compiled the damn book. I chose the stories. I put them in order. I line edited them. I worked on the theme with the writers. I wrote the introductions to the stories.

The volume has my fingerprints all over it, and not because I changed someone’s words or added a semi-colon here and there.

Stop, stop, stop acknowledging this new breed of “editor” in the sales material of your novels. You’re hurting your own sales and doing free advertising for those “editors.” (And yes, dammit, I’m using the quotes on purpose.)

If you need to acknowledge the “editor” as a term of your contract with her, then do so inside the book in the acknowledgements. Write: Thanks to Annoying Person, who copy edited my manuscript. She knows more about the Chicago Manual of Style than I do.

That’s it. And if Annoying Person doesn’t like it, if that doesn’t fulfill the terms of your agreement with her, then don’t work with her again.

Ever.

Kris Rusch

You will fail more than you succeed. You will remember the failures more often than the successes.

The people who believe in you now will believe in you always. Get rid of everyone else.

Readers will love your work. They will think this means they love you. They will be wrong, but do not correct them. You will no longer be yourself when you’re among readers, but an amalgamation of their perceptions of you based on your work and the pixels that make up your face. After a while, even your oldest friends will see you this way.

Pick one person you can be yourself with. It will be the person who doesn’t live-tweet your breakdown.

(…)

You will spend your entire career wondering if it’s already over but no one has told you yet.

You will not sell a lot of books. You will not earn out your advance. You will be passed over for awards. You won’t be a Campbell nominee. You will be convinced you’re not a real writer.

(…)

Fans of your work will clap and cheer at your arrival at events and then sob when they meet you and gush about how your work has touched and inspired them. It will be overwhelming. You will never know what to say. You will be celebrated, wined and dined. You won’t be able to meet with everyone who wants to see you.

Outside of those spaces, you will be treated with all the respect this society owes someone of your race, class, gender presentation, and/or orientation. If you’re a middle-aged white woman who doesn’t know how to dress herself, you will simply blend in. You will not be seen. This will be both a great relief and a big comedown.

(…)

You will travel. You will say YES! to opportunities. You will meet dynamic, amazing, talented, influential people. You will be so tired and jetlagged and anxious about money that you won’t remember any of their names. This will lead to many awkward conversations, later.

You will forget to introduce yourself to George R.R. Martin at the Hugo Loser’s Party.

You will regret being a writer. You will quit, often. Sometimes you will quit for long stretches of time.

(…)

You will be a bestseller, somewhere, even if it’s just on Amazon. You will hit a list. You will be an award winner. Hollywood will talk a lot about movies that probably won’t get made, but the free money will be nice.

You will be jealous of writers who don’t have day jobs. You will celebrate the full-time writing status of at least half a dozen colleagues who end up going back to their day jobs within five years of quitting.

You will never quit your day job.

You will dabble with scripts and comics and tie-ins. You will get invited to so many anthologies and special projects that you will have to say no to a lot of them. You will say no to Marvel, and yes to a book packager project whose team ultimately doesn’t want you.

Kameron Hurley

Sunday Surprise


Again a monthly feature, I give you words of wisdom, writers on writing or whatever you want to call it. Have a great Sunday and see you next month with more writerly quotes!

What Goes Up Must Come Down

Sales fluctuate, and after being in this biz for almost two decades I still don’t know why some things hit and some miss. It’s frustrating, but expected.

Here’s some things I’ve learned.

1. Ebooks are forever, and shelf space is infinite. Once you’re published, you’ll always be selling as long as you tend to your backlist.

2. Ebooks are not a trend. They are the new, preferred way to read, and mankind will always have the need and desire to read.

3. Ebooks are global. Doing poorly in the USA? That’s okay. There are plenty of other countries where you can make money.

4. This is a marathon, not a sprint. You’re a writer. You’re in this until the day you die. As long as you write good books, you’ll find readers. This may take time. And it may take some tweaking because the books you think are good need a rewrite, or that cover art you bought at a bargain price of $19 is scaring readers away because it sucks.

The universe doesn’t owe you readers. You have to earn them.

Joe Konrath

It feels like a calm period before the next big shift, a time to bed down your processes, grow your backlist by writing more, build relationships, make sure you have sustainable health and creative practices, make the most of your IP by expanding into other products like print, and look to position yourself for the next phase of growth.

Joanna Penn

“Audience” literally means “the people listening” – which tells you what an odd business writing stories down is. We are silent performers in an empty room. We lack the instant feedback that maintains and sharpens the story-teller’s consciousness of and relationship with the audience. So, does the writer consciously try to imagine a reader? An ideal reader? A whole lot of readers? Or are we each our own audience, writing a book we’d like to read, the way we’d like it written? Or do we seek a peer-group for the feedback? Such choices are entirely up to you the writer. And nobody can say what the right balance of conventionality and expectability, challenge and originality, is for you. Tailoring your writing to a specific audience/market is good for writers to whom salability is a prime value, for others it can be demoralizing, a sell-out.

The only advice I can offer is tentative: If you imagine your “audience,” your readers, imagine them as intelligent and sympathetic — ready to read you if you give them the chance.

Ursula K. Le Guin

Nothing sells your old books like having a new book. Listen, the more that you write, the quicker and faster you tend to write. So writing that new book doesn’t just give you extra sales, it helps you become a better writer. Too many authors don’t understand the value of practice. Only a fool would believe that he could sit down at a piano and become a concert pianist in one sitting, yet millions of writers imagine that they become a professional writer without practicing. Even authors who apparently take off effortlessly tend to have had a lot of preparation and secret struggles.

David Farland

Art is not a competition.

There is more than enough room in the world for all of the authors and books that are out there. Don’t worry about what other people are doing. Just focus on writing your stories and connecting with the readers that love them.

If you haven’t found those people yet, have patience. Instead of lamenting that other authors have devoted readers, use that energy to find new ways to promote your books. There are people out there who will become devoted readers of your books. You just have to find them.

Some people tend to get overwhelmed and discouraged by the high number of indie authors and the fact that it keeps increasing. However, as Joanna has reminded us on her podcast, when someone becomes more serious as a writer, it’s likely they will read more books as well.

I know that my reading has increased immensely since I started self-publishing my books. So we should be glad whenever someone writes and publishes a book!

More authors in the world means more avid readers in the world, which is good for everyone.

Sara Crawford

Sunday Surprise


And since COVID-19 is screwing with my posts, so that I skipped two weeks, and I no longer have guests, I shall go back to a monthly Words of Wisdom or Writers on Writing for the rest of the year. Have a great Sunday! 🙂

It is easy to fall prey to the idea that writing success is intrinsically bound to youth. Publishing loves a literary ingénue, as if no one over the age of 40 or 50 or 60 has anything worthwhile to say. Such is not the case. The older I get, the more I have to say and the better I am able to express myself. There is no age limit to finding artistic success. Sometimes it happens at 22 and sometimes it happens at 72 and sometimes it doesn’t happen at all. No, you are not too old to have a writing career, no matter your age. Yes, it is perfectly reasonable to feel defeated when you’ve worked so hard at writing and have yet to make your mark so long as you don’t stay defeated. No, you are not promised artistic success simply because you want it.

(…)

The older we get, the more culturally invisible we become, as writers, as people. But you have your words. Writing and publishing are two very different things. Other writers are not your measure. Try not to worry about what other people your age or younger have already accomplished because it will only make you sick with envy or grief. The only thing you can control is how you write and how hard you work. The literary flavor of the week did not get your book deal. All the other writers in the world are not having more fun than you, no matter what it might seem like on social media, where everyone is showing you only what they want you to see.

Write as well as you can, with as much heart as you can, whenever you can. Make sure there are people in your life who will have faith in your promise when you can’t. Get your writing in the world, ideally for the money you deserve because writing is work that deserves compensation. But do not worry about being closer to 50 or 65 or 83. Artistic success, in all its forms, is not merely the purview of the young. You are not a late bloomer. You are already blooming.

Roxane Gay

Some of these changes that major sites do are to get rid of pirates and scammers, and in the big sweep of the change, regular honest folks get swept in. Other changes came about because of investment, change of ownership, or new managers—things that happen in every business.

For eight years, I have told indie writers to go wide and to make sure they’re protected, legally and otherwise. Be cautious and conservative when you join new sites or new ventures. Make sure you understand the terms of service, and realize that with many companies, the terms of service are take it or leave it. When you have terms of service like that, your decision to take it had better be informed, and when you get bit on the ass, you should have known that the bite was coming.

Kris Rusch

THE INDIE AUTHOR MANIFESTO
We indie authors believe all writers are created equal, that all writers are endowed with natural creative potential, and that writers have an unalienable right to exercise, explore, and realize their potential through the freedom of publication.

  1. I hold these truths to be self-evident.
  2. I am an indie author. I have experienced the pleasure and satisfaction that comes from self-publishing.
  3. I have a right to publish.
  4. My creative control is important to me. I decide when, where, and how my writing graduates to become a published book.
  5. Indie does not mean alone. I choose my partners.
  6. I shall not bow beholden or subservient to any publisher. In my business relationships, I will seek partnership, fairness, equity, and mutually aligned interests.
  7. We indie authors comprise diverse writers, unified by a common purpose to advance, empower, and celebrate writers everywhere.
  8. I am a professional. I take pride in my work and I strive to improve my craft to better serve my readers, myself, my fellow indie authors, and the culture of books.
  9. My writing is valuable and important. This value and importance cannot be measured by commercial sales alone.
  10. I celebrate the success of my fellow indie authors, for their success is mine and mine theirs. Together, we are pioneering a better future for books, marked by greater quality, creativity, diversity, choice, availability, affordability, and accessibility.”

Mark Coker

So, for me, and maybe for you, there’s power in writing with intentionality.

Decide how you want the reader to feel, and write that way.

Decide what you’re trying to say, and why, and then fucking say it.

Know the purpose, aim your voice, write with vigor and deliberation.

Take command. Be confident. Be willful.

And play, too, to find out how to make it work. Compose and recompose a scene. Go one way with it, then rewrite it another way. Learn to see how intentional changes make for a butterfly effect in the work. Learn the weave and the weft of it. Don’t just go down the river. Put objects in the water, see how fast they move. See if they block the flow or speed it up or break the river in twain.

Write with intentionality.

Try it out.

Let me know how it goes, how it feels, how it works.

Chuck Wendig

 

Sunday Surprise


And it’s a guest! Another wonderful indie author! Ladies and gentlemen, please welcome Audrey Rich!

Where do you live and write from?

I live and write in Sunny South Florida in the USA but I’m originally from New York City.

Why do you write?

My soul calls me to write and my characters definitely beg for their stories to be written.

When did you start writing?

I’ve always loved to write and put together stories in my head but I earnestly began to write in 2011 after one late night I opened up Word and the words spilled from my fingers. There wasn’t even an inkling that I would choose to become a writer.

But it was an answer to a prayer for a career change that led me to embark on my writing adventure until the moment the characters came to life in my head and the words appeared on the screen and the writing bug burrowed itself into my heart.

What genre(s) do you write?

Currently I write YA, NA, and Dystopian Contemporary Romances as well as Fairytale retellings and I’m co-authoring a Sci-Fi story about aliens with a friend.

Outliner or improviser? Fast or slow writer?

Definitely an improviser (pantser) but I can follow someone else’s outline. Depends on what is going on in my life. My debut novel was completed in three months so not too slow but there are times that it takes me forever to write a word.

Tell us about your latest book

My latest book, Queen of Mermaids, is the first of four books, which is Season 2 of the Kingdom of Fairytales series will be released on January 29th 2020.

It’s the after the happily-ever-after of The Little Mermaid. My character is Princess Blaise, daughter of The Little Mermaid and she’s a proud member of the Anti-Mermaid League. The irony of it all.

Indie publishing or traditional publishing – and why?

Indie publishing because despite having an acquiring editor who liked my writing and the plot of my first book, I decided that I wanted complete control of my publishing career. I wouldn’t mind working with a traditional publisher in the future when I would have more control but for now managing my own books and career works for me.

Any other projects in the pipeline?

Definitely many projects that need to be polished and written but I believe I will focus on the stories from my YA series that will lead to my NA/adult Contemporary Romances because these characters’ stories need to be written.

I working on the final edits of Igniting Our Love and finish writing Denying Our Love, which are both part of my A Stonehaven High Series.

What is your goal as a writer and what are you doing to achieve it?

My goal is to continue improving how I tell my stories by writing every single day.

What is the best piece of writing advice you’ve ever been given?

The best piece of advice is to write what your heart and soul call you to write instead of trying to ride the trends that are popular at the moment.

_______________

Find Audrey online

Goodreads

Facebook

Blog

Amazon 

Bookbub

Instagram

Twitter

Wednesday Weekly Roundup


Last week I wrote my 10K and I hope to be able to do the same this week and the coming ones, but I have a lot of reading to do. I doubt l’ll be writing much, but l’ll catch up in March.

I got my first three rejections, but also one acceptance, so the year has started well! Soon I’ll tell you everything about this upcoming anthology – as soon as I know more myself!

Did you see the Backstage Pass last Sunday? That’s my hobby, sort of! 😉 I often say that I’m a professional writer and a hobbyist artist, don’t I? And even if you are a writer (or anything else, for that matter), consider a new hobby (if you don’t already have one): it might help your career.

12 free graphic design tools for authors by David Gaughran. I was very impressed by the background removers, I didn’t even know they existed! I’ll keep using my old Photoshop 7.0, but I bookmarked Book Brush and 3D Cover Creator for future use. Or I’ll just keep using the Covervault templates, although my old Photoshop won’t read those files but I have also Photoshop Elements 10, so I can work with that. We’ll see.

Joanna Penn and Orna Ross predictions for the next decade! Listen to the podcast or read the transcript (like I do, LOL!). Looking forward to when AI voices will allow us to have multiple narrators (like, in an anthology, each author has his or her voice)! Not for this year, though! 🙂

Or you can check Smashwords 2019 Year in Review and 2020 Preview as well as Mark Coker’s predictions for 2020… lot of stuff going on, isn’t it? 😉 The future is here, let’s embrace it! 🙂

And it’s the Infinite Bard time again! Go check the new story! And here goes the weekly quote… Have a great week!

Our job is to kick all those stinky ghosts from our training all out of the office, then let our two-year-old who hasn’t been trained yet by all the critical nature of our world out to play on that white screen. The two-year-old lives in all of us.

I call it the creative voice.

And over the years that creative voice has learned story, has learned more writing skills than you can ever imagine consciously that you know. Why? Because that creative voice has been absorbing story almost from day one.

But our critical voice has one job and that is to make up stuff that could go wrong and control the creative voice, not let it use stuff that the critical voice doesn’t yet know. Because that might be dangerous.

So there is a constant battle for most writers starting out. And for early writers, the critical voice always wins.

For long-time professionals, the creative voice always wins.

See the battle there? The path you need to travel?

The creative voice is where all our art lives. And it likes to play. It doesn’t like rules. Have you ever been around a two-year-old child? They challenge everything. Parents’ job to be the critical voice, to train that child in the ways of society.

So one of the best paths to becoming a long-term fiction writer is learn to control the critical voice, shut it out of all writing decisions, and let the creative voice out to play.

Dean Wesley Smith

 

<span>%d</span> bloggers like this: