Sunday Surprise

And it’s another Eclectica author! I met her and she’s the sweetest girl in the universe! 🙂 Can’t believe it’s been two years already since… And she was even in Nightly Bites Volume 2! Anyhow, ladies and gentlemen, please welcome Felicia Fredlund!

Where do you live and write from?

I currently live in Japan, Kyoto to be more exact. This is also where I write, usually in my apartment.

Why do you write?

I write because I want to experience different kinds of lives. And I would love to live in a mystical world with magic, but alas, that isn’t possible, so I’ll do it through writing.

When did you start writing?

Somewhere in my teens. I was a bit late to reading, only starting to love it when I was about 11 years old, and then I needed a few more years to fall in love with writing.

What genre(s) do you write?

I tend to write a lot of fantasy, especially longer works. My short stories fall all over the map through from contemporary to science fiction, from horror to romance, and most things in between.

What is your goal as a writer and what are you doing to achieve it?

I’m not exactly sure how to answer this. I don’t have an overarching goal as a writer. I want to write a lot, hopefully find a lot of readers, and have fun.

What is the best piece of writing advice you’ve ever been given?

Have fun. Otherwise get a job with an easier paycheck.

Outliner or improviser? Fast or slow writer?

Improviser. As to fast or slow, I’m not sure. I think my typing speed is pretty average and beyond that it is about the amount of time I spend.

Tell us more about your book in the bundle.

It is called Dear Brother and is about a young man trying to deal with the grief from the loss of his brother. I wrote it about a moment I had, dealing with grief from the loss of my mother.

Tell us about your latest book

Angel’s Demise is an urban fantasy short story. Coming out later this May. It is about a guardian angel desperately trying to keep her charge alive. It is pretty twisted and dark.

Any other projects in the pipeline?

A few. Several more short stories will come out this year. Plus two novellas: Commissioned Magic, set in my Riala City fantasy world that is about a painting magician who gets an unusual commission; and the other one is untitled currently, but is the first of several Guild Adventuress series stories (I have another two finished).


Random Friday

Words of wisdom, writers on writing, whatever you want to call them, enjoy these writers’ quotes!

This is true however you publish, whatever you write.
Writing begets writing. Writing sells writing.
Writing is an act of doing. It is an act of making.
It is also an act of persevering.
And surviving.
A lot of writers simply can’t hack it, so they quit. The road ahead and behind you is littered with the corpses of writers who just couldn’t hack it. (And spoiler alert, some of them are the desiccated carcasses of shit-flinging gibbons.) They couldn’t deal, so they gave up and gave in.
Writing is you not quitting. It’s you taking a bite and digging your teeth deeper like a cranky-ass bulldog who refuses to let go. It isn’t you being a crap-tossing primate.
Be the best version of yourself.
Let your writing be the guide.
Write the greatest damn book you can write.
And don’t be a shitty monkey.
The end.
Chuck Wendig

Let me tell you something someone mercifully told me: If readers do not empathize with what your character wants by the end of your first page – and that’s the stubby little three-quarter page of text floating under the title – it will be remarkably difficult to sell your book.
Now read that again: not just understand what your character wants.  To empathize.  As in, to go, “Oh, I could want that too.”  You need to trigger a resonant emotion within 250 words or so.  It likely won’t be a deep emotion by that point, but that first “I get this person” has to be birthed on Page One.
You don’t get emotion by explaining things to people.  And as such, “Everything is inverted in The Uploaded!” became a liability.
Ferret Steinmetz

Oh, and one more thing. I get that writing about spaceships or elves or super-spies or whatever may seem frivolous in times like these. I’ve been there, man. We should be out there donating, marching, calling representatives – spending our time better, right? And yeah, I’ve done those things as well, and I’d encourage y’all to do that too.
But writing really does matter. I had a reader reach out on social media recently just to tell me that reading one of my books was a welcome respite from all the craziness out there. And wow, let me tell you, that was something. I hadn’t really thought of my stuff that way, and it was incredibly awesome to hear that.
I wrote 2,000 really good words that day.
So yeah. It’s OK to be angry, scared and/or discouraged at the world – or your own personal stuff, for that matter, because life throws curveballs all the damn time. Do what you gotta do to get you through it. Watch crap movies or call your reps. Donate, cry, march, hide, scream. Take care of yourself. But know that when you get back to the keyboard, you have a chance to bring stories to life that can help people think about a better future, or get some solace from a rough present.
Saddle up, wordpeople.
Michael J. Martinez

Writing by committee makes dullness. It takes out your writer voice, and often your character voice.
And I honestly have no idea why writers don’t have more pride in their work. That is the aspect of all this that bothers me. No one touches my work. It is my work. Period. Good or bad.
And I am proud of that fact. Good or bad.
The Solution?
Just stop. Go cold turkey.
Grow a backbone and believe in your own writing.
Maybe have one trusted reader and then ignore anything they say that doesn’t fit with your vision.
Get a copyeditor who will only find typos. Ignore anything the copyeditor says if they try to change your style or writing in any way.
Think how much easier that will be.
Keep learning skills and craft and applying it to the next story.
Bad grammar be good in right times and right places. Toss out the Chicago Manual of Style unless you are writing nonfiction.
Toss out the window your copy of Strunk and White unless you are writing nonfiction.
I am talking fiction here.
You are an artist. Allow your characters to live on the page. Allow your own voice (which you can’t see) to be there for your readers.
Always focus on the next story, not the last story.
Just stop even thinking of using beta readers to destroy your work.
Because that is what beta readers do.
Dean Wesley Smith

Almost nobody else is judging our progress. We might imagine that all of our Facebook friends and all of the relatives we see at Thanksgiving dinner are always thinking about how we’re falling short of expectations. The truth is, almost no one is thinking about our writing success at all.
Nobody is making harsh judgements about our return on investment except the imaginary judge we’ve invented for ourselves, and we can kick that person out any time.
If you love writing, you have to learn to be shameless.
That way, you can always enjoy it, no matter what comes or doesn’t come from it.
Shameless” is a funny word, because we use it as an insult. But we accept “shameless” is negative, then we have to accept being ashamed of ourselves as a positive, which is madness.
The really good things in life rarely result in money and accolades. Walking in the moonlight. Playing with your dog. Turning up the music and dancing around your apartment.
Bryn Donovan

Sunday Surprise

And from the Eclectica Bundle as well as some Curated Anthologies, ladies and gentlemen, please welcome back fellow worskhopper Debbie Mumford! 🙂

Where do you live and write from?

I make my home in the beautiful Pacific Northwest of the USA. Vancouver, Washington to be exact. No, not Vancouver, British Columbia, that’s in Canada, several hundred miles north of where I live. Vancouver, Washington is just across the Columbia River from Portland, Oregon, and in some ways, is a bedroom community to Portland.

As to the question of my writing, I don’t have an actual office. I write on a MacBook Pro laptop, sitting in my favorite chair in the living room … with my feet up. What can I say? I’m into comfort! With my body at ease, my mind is free to wander into other worlds and visit possibilities of existences other than our own.

Why do you write?

I’m an avid reader—I think most writers are—and I’ve always found myself saying, “Yes, but what if that happened?” At some point, I stopped wondering about nuances of other writers’ worlds and decided to create my own. It’s harder than you’d think, being the god of an imagined world, but at the same time, it’s exhilarating and freeing. When I’m really in the zone, I’m completely submerged in my story. Words rush from my subconscious through my fingers onto the screen without me being consciously aware of what I’ll write next. It’s like magic! Characters do things I hadn’t even dreamed of, and my surface mind wonders, “What will they do next?”

Ultimately, that’s why I write…to discover what happens next.

When did you start writing?

I can truthfully say that I wrote my first story before I could read. I dictated it to my mother and then illustrated it with crayon drawings!

Then came a LONG period of no writing other than school assignments and later, Christmas newsletters. I thought about writing often while I was raising my children, but time with them always took priority, so I didn’t truly start writing until my husband and I launched them out into the world. Then I sat down and wrote my first novel. I finished it, all 100,000 words, in a little over six-months and blithely sent it off to agents and editors, thoroughly expecting it to be snapped up immediately.
Yeah. Not so much. My novel was met with universal form letter rejections. I was so green, I didn’t even have a clue what I’d done wrong. At that point, I buckled down, found some writing mentors and began to learn my craft. Can anyone say “cart before the horse”? Definitely. But you don’t know what you don’t know, and at least I started and finished a novel and had the confidence to send it out. I also used the rejections as a goad instead of letting them defeat me.

What genre(s) do you write?

I’ve written a little bit of everything: fantasy, lots of romance (paranormal romance, fantasy romance, time-travel romance), historical fiction, and even a little bit of mystery. Recently, I’ve been branching out into science fiction, especially space opera. Oh, and I write contemporary young adult and middle-grade fantasy under a pen name: Deb Logan.

Interestingly enough, Debbie Mumford writes her tales in third person, while Deb Logan always writes in first person. Yep, I can honestly say Deb is channeling my inner child!

Tell us more about your book in the bundle

Tales of Tomorrow is a collection of five of short stories that move from science fiction to the edge of fantasy. The collection includes two “right around the corner” tales, one far flung space fantasy, and two stories of future families.

Tell us about your latest book (add link if published)

My most recent release is also a short story collection, Tales of Love and Magick. It includes tales that combine my enchantment with fantasy and my love of romance. Each of these ten tales blends the very human element of love, whether romantic, familial, or budding, with a fascinating bit of magick. I had great fun writing these stories, and I hope readers will enjoy them as well!
You can buy Tales of Love and Magick at most ebook retailers.

Any other projects in the pipeline?

I’m always imagining new worlds! I’m currently dreaming up a historical romance series based on Her Highland Laird, a time-travel novella I wrote a few years back. I also have several short stories in process for upcoming anthologies, and Deb Logan has a few fans clamoring for a follow-up novel to Thunderbird. After all, Coyote isn’t the most patient of totem animals. He’s ready to take center stage!

Barb’s P.S. I must say Debbie and I think alike. Look at her latest cover! She chose the same portal I used for Otherside, although I made quite a composite of that image! 🙂 But then, it’s a beautiful stock image…

Random Friday

Another author who is in both curated anthologies sent me her answers. I would like to spend a few words on this one. She sent me Tethering the Sun first when I sent out the call for portal stories. Then I realized we were at the same workshop in 2017, although there were fifty people there and we barely talked. But we caught up and I requested also The Traveler from that list. So, ladies and gentlemen, please welcome another workshop buddy, C.A. Rowland!

They are both out now! Click on the image for the BUY links!

1. What is it about portals that draws you to it?
I love the idea of crossing into a new world, that wonder and unsettling sense of trying to deal with something new. Portals cause growth and I like exploring that aspect of learning about something new. I also love going to new lands and getting to know them and their people.
2. What is your story in the anthology about?
In Fantasy Portals, my story is about a woman who is drawn into a painting and has to deal with what that means and the choices she must make.
In More Portals, my story is about a woman at Machu Picchu who steps through a curtain of fog and finds a completely different Machu Picchu.
3. What inspired your story?
I think art is so inspirational. I have written a number of stories based on pictures or drawings or in this case, an oil painting that I saw in New Mexico. The artist’s work has stuck with me and I finally realized there was a story I wanted to tell about one of them.
4. Do you always write about portals?
If not, what do you write about? No, I write about places I have visited, places I’ve lived, historical stories, mysteries, science fiction and fantasy. I don’t know that I could ever write in only one genre or only one kind of story.
5. What should readers know about you?
My first mystery novel will be published in 2020, The Meter’s Always Running. The main character is a female taxi driving in Savannah, Georgia. I lived in Georgia for years and love the historic district. I live in Virginia now where the backdrop is the Civil War battlefields. I studied History in college so this is the right place for me and the area inspires me and my stories.
6. Is there anything else you’d like to tell us?
I love ghost stories too. I stayed with my grandmother when I was small and both my parents worked. We used to go to the local graveyard where she would weed and talk about the people she knew there. I would imagine what they looked like, where they lived and what their lives were like. Those sometimes show up in my stories as well.

Sunday Surprise

And after the Easter break, here’s another Eclectica author! Ladies and gentlemen, please welcome Donald J. Bingle, Writer on Demand !

Where do you live and write from?

I currently live in Illinois and either write there or while vacationing in Hawaii.

Why do you write?

Well, certainly not for the fame or the money! I like to be read and if you don’t write, submit, and publish, no one will ever read your work.

When did you start writing?

I played a lot of role-playing game tournaments twenty-five to forty years ago (I was the world’s top ranked player of classic RPGA tournaments for the last fifteen years of the last century) and that led to running games, then writing tournament scenarios, then writing for game companies like TSR, the my own stories, then novels, screenplays, and the rest.

What genre(s) do you write?

I write in the thriller, horror, science fiction, fantasy, mystery, steampunk, romance, comedy, and memoir genres.

What is your goal as a writer and what are you doing to achieve it?

To be read. That means writing what editors and publishers want written, submitting it, and promoting it.

What is the best piece of writing advice you’ve ever been given?

Writing is like acting or direct sales. There’s lots of rejection, but you have to keep writing.

Outliner or improviser? Fast or slow writer?

Outlines take all of the fun out of writing for me, leaving only drudgery. But not outlining doesn’t mean you improvise. If you know where you want to start, where you are going, and two or three things you want to happen along the way, you don’t need to outline as long as you control the trip.

Tell us more about your book in the bundle

For a while, I was kind of the unofficial back-up writer for DAW themed anthologies. I wasn’t famous enough to get invited to many of their anthologies, but when someone didn’t meet deadlines or too many people wrote to the short end of the expected range, the editors would have a sudden need for a story fast to fill in. I could write to spec fast and cleanly, so I would often get those gigs. After the exclusivity period for those stories ran out, I took them (plus a few others I wrote) and collected them by genre and put them out in a series of ebooks. This one collects some steampunk and historical fiction.

Tell us about your latest book (add link if published)

I recently published Wet Work, the second installment in my Dick Thornby spy thriller series.

Any other projects in the pipeline?

Jean Rabe and I are sending around a pilot script in an effort to turn our novel, The Love-Haight Case Files, into a television series.



Random Friday

And again, since Sundays are busy with Eclectica authors, a short summary of the More Portals authors who answered my 6Questions. Check also this guest post on Library of Erana. Ladies and Gentlemen, from More Portals Debbie Mumford and Lana Ayers!

1. What is it about portals that draws you to it?
Fantasy is my genre of choice, and one of the elements of fantasy that has always fascinated me is thresholds. Whether it’s a threshold of light (dusk and dawn – the thresholds between day and night, light and dark), or of place (I’m particularly drawn to beaches – that place where it’s not quite land, not quite ocean), or that magical witching hour: midnight (is it today or tomorrow … or neither?). Thresholds are magical, and a portal, well it’s definitely a threshold and in some ways, the highest form of magic! After all, a portal can transport you from here to … well, that’s the question, isn’t it?
2. What is your story in the anthology about?
My story (Beneath and Beyond) is a science fantasy about two scientists who discover an ancient door buried far beneath the polar icecap. When their team manages to open it, the scientists discover the unbelievable.
3. What inspired your story?
“Beneath and Beyond” was written in response to a challenge from my writing group: write a story that combines science and fantasy. Voilà! “Beneath and Beyond” was born!
4. Do you always write about portals? If not, what do you write about?
I write about all sorts of things! From dragon-shifter fantasy romance to space opera to time-travel romance to historical fiction, if an idea pops into my brain, I embrace it and write. I write for general adult audiences as myself (Debbie Mumford), but I also write for kids and teens as Deb Logan — by channeling my inner child!
5. What should readers know about you?
I’m a wife and mother … and grandmother! I’m an only child with five older brothers (really! My brothers ranged from nine to eighteen when I was born), and I’m a mother of twins. Family is very important to me and figures prominently in my writing.
I love dogs, am fond of cats, and have been known to befriend dragons … Chinese Water Dragons to be specific!
6. Is there anything else you’d like to tell us?
I love to hear from readers! I hope you’ll visit my website ( and consider subscribing to one or both of my newsletters. Both Debbie and Deb give new subscribers FREE stories for joining their lists!

1. What is it about portals that draws you to it?
Ever since childhood, when I felt alien and other, waiting for my true non-earthling people to come and collect me somehow, I’ve been drawn to the idea of portals. Portals are escape hatches from mundane experience into the extraordinary.
2. What is your story in the anthology about?
My story “Sideways” is about a woman a little too focused on the past to see what is right in front of her. On an ordinary workday, her experience in a portal, forces her to shift perspective.
3. What inspired your story?
The portal in “Sideways” was inspired by a dream I had where things immediately went awry.
4. Do you always write about portals? If not, what do you write about?
In the purest sense, all stories are portals to new experiences. But time travel is my favorite kind of portal to read and write about. Writing poetry, which for me is a portal to the inner emotional realm, is another of my vices.
5. What should readers know about you?
Growing up in a one-tv household with an older brother who controlled what we watched is how I became a Fantasy & Sci Fi geek. My brother gifted me the universe and beyond, and for that, I am forever grateful.
6. Is there anything else you’d like to tell us?
Here’s a quote from author Deb Caletti that nails one of life’s best true portals: “I understood right from the start that every set of library doors were the sort of magic portals that lead to other lands.”

Random Friday

Mm ‘kay, I didn’t appear in the Sunday linky link, so I’m not going to bother again. And I’m going to close the month with a few words of wisdom, writers on writing, whatever you want to call them. Have a great weekend!

You’re a writer.

Your most valuable asset is, ideally, your writing.

If it’s not, that’s a problem. A problem with you, to be clear, and not a problem with the rest of the world. It rests squarely upon your shoulders.

If your best way to get attention for yourself is to throw shit instead of write a damn good book, you are a troll, not a professional writer.

Your best advertising for yourself as a writer is to write the best book you can write.

Your best advertising for the last book you wrote is the next book.

Your best boost to your career is to be the best version of yourself. Online, in-person, all-around — summon the ideal version of yourself and present that face to the world, to your potential audience. That is how you earn your audience. You don’t build them. Your audience isn’t a fucking chair. They are a group of people who you can, in part, earn as readers and as fans. (I say in part because you can never please everybody, nor should you try.)

Chuck Wendig

Pick any of the seven reasons above – finishing a book, being creative, achieving a flow state, growth through learning, celebrating failure, finding your tribe or bravely showing your vulnerable side – and use it to pull yourself out of your negative state. Find your smile again.

Use this newfound positive state to problem solve.

Look back: find possible reasons why the book has not sold and come up with ways to improve its sales. Or use being happier to look forward: tap into that creativity and productivity from before and write the next book.

Instead of being a sad, rejected loser you are now a courageous and creative author. Yes, it is simply a variation in language, but you are a writer so you know just how powerful words can be.

Julie Schooler

But how about YOU? What are the things that you have achieved and accomplished? Even if you haven’t published the new project you were hoping to get done, did you at least get started on it? Have you at least made progress on it? That counts, and it puts you THAT MUCH closer to the achievement. And it’s okay to pause and celebrate that.

Too often, we also compare ourselves to others, and often to only those who are more successful than we are, failing to recognize that there are likely more authors “in our shoes” than the giants being celebrated by the larger media. The fact is that there’ll ALWAYS be someone doing better than you. The thing to measure, instead of comparing your own success, your own sales, to someone else’s, is to compare your own achievements today against your achievements in the past.

– Mark Lefebvre (KWL Newsletter)

Every single finished book is a struggle and a triumph and is merely abandoned (the knowledge that it could be better haunts every writer, every time).

But, and here is the good news; if there is no shining ‘after’ to counteract the wasteland of ‘before’, that means all there is is the writing. The daily work. The being a writer. The thinking up stories. The day dreaming. The delicious research. The learning.
That is all there is for any of us and you are invited to join in.So, take a piece of paper. If you prefer your invitation to come from me, consider it extended (with my warm wishes and a free hug if we ever meet in person!).But you can put whatever you like on your paper:

I am an author

I am creative

I am a writer

I write

Whatever resonates with you. Now put that paper somewhere you won’t lose it, but will see it regularly. In your wallet or on your desk or bedside table.

Sarah Painter

Look. Cats belong in boxes. Stories don’t. Yes, it can be helpful for marketing, and yes, readers have certain expectations in certain genres, but it isn’t one hundred percent necessary. It isn’t a precursor to getting published, or to success. When I was writing Girl, I had to learn to let it go. When someone asked me what I was writing, I started answering, “I don’t know.” It was honest. I wrote the book I wanted to write: it’s historical, and contemporary. It’s both science fiction and fantasy. It has time-travel, but only one jump…so is it reallllllly a time travel book? Does that matter? Not really. I wrote the story I wanted to tell, and it blends genres until I can’t see distinct colors anymore. I’m really glad I didn’t force my book into a box. I love cats, but my book is not a cat.

Katherine Locke

Random Friday

And since not much is going on – again – here are a few writers on writing, words of wisdom and whatnot. Have a wonderful weekend


When you’re having a bad writing day, a hard writing day, remember that.

And remember too that when you sit down a week from now, or a month, or a year, the days the writing was hard and the days the writing was easy will be indistinguishable from one another. In fact, sometimes the easy days produce worse work than the difficult days. You never know. So don’t let it stop you. Put the bucket over your head and run at the wall anyway.

And remember that all of this is just a draft, that it can all be fixed and changed, that what doesn’t work can be made to work. It can always be made to work with enough practice, with enough blood.

You’re having a hard day of writing, write anyway.

Do it because it’s hard.

Forgive yourself because it’s hard.

Don’t let one bad day be the gravestone for the rest of the days.

Chuck Wendig

Thanks to Quiet by Susan Cain, many writers are happily claiming their introversion. I’m an introvert, which means I get my energy from being alone. I hate small talk and large groups. I’d rather think than speak, and write rather than talk. I rarely answer the phone. I’m INFJ on the Myers-Briggs scale, and many authors fit a similar model. This also means that conferences and events are tiring, so I can’t do too many of them a year. If you’re like me, then we’re super lucky these days, because online marketing suits introverts. We can attract an audience online and connect with readers, while still spending time alone.
Joanna Penn

There’s nothing like studying the bestseller lists of bygone years for teaching an author humility. You’ve heard of the ones that got filmed, normally. Mostly you realise that today’s bestsellers are tomorrow’s forgotten things.


I’m convinced if I keep going one day I will write something decent. On very bad days I will observe that I must have written good things in the past, which means that I’ve lost it. But normally I just assume that I don’t have it. The gulf between the thing I set out to make in my head and the sad, lumpy thing that emerges into reality is huge and distant and I just wish that I could get them closer.

Neil Gaiman

The proper response to a rejection is to send the story out to a different publisher—not to rewrite the tale. So don’t fiddle with your language. There are times when it might be wise to make a “substantial” revision, one where you change the very bones of a story. For example, you might decide to write a new opening scene, or extend a climax, or something like that. In that case, it’s like re-setting the bones of the story, not applying new lipstick to the face of it. You’re fixing the underlying structure.

David Farland

That’s the kind of writer you want to be. You want to be the writer whose work they buy because they love your work, rather than the writer who distracts them for one weekend and whom they never read again.


We all want our latest releases to sell millions of copies this year. Most of us—99.9% of us—won’t achieve that. But we will have published a book or two or three, and we are working in our chosen field.

We’re the day-to-day folk who provide the best entertainment possible in a non-special-event kinda way. And that’s what most readers want.

Remember that the next time you see a lot of hype.

And realize that the hype isn’t always what it’s cracked up to be.

Kris Rusch

Random Friday

Haven’t been doing much, so I’m posting the Words of Wisdom, Writers on Writing, whatever you want  to call them, and happy new writing year! 🙂

Keep your ear to the ground. You can’t just hide out in your writing cave. Remember, the market changes. You need to be able to alter course if necessary, so stay informed of what’s happening in the industry, what other authors are doing, what the book trends are, etc. That doesn’t mean you jump on everything that comes your way, but you need to be aware of it. Don’t be the last one to catch the train.

Pay it forward!!! Support your fellow authors. Buy their books. Review their books. Share their releases and successes with your followers. I can’t tell you how many opportunities have come my way because of friendships with other authors. It takes a village to build a successful writing career, and your fellow authors are your village.

Cara Bristol

I love to write. A lot of you love to write, I bet. But, as with any love, there are days you hate it. Some days, writing feels like endless toil. There are days when writing acts distant for no apparent reason, because writing can be a passive-aggressive jerk. Writing is the sort of lover who breaks up with you, then slinks in naked while you’re taking a shower, like nothing happened. You’ll stay up all night with writing and regret it when you have to go to work in the morning. There’ll even be times when you’re trying to focus on something else, but writing won’t stop talking to you no matter how politely you ask.

Simply put, writing is an asshole. Writing steals your money and spends it on stupid things, like another gimmicky book on how to write better, and then it acts like it bought that book for both of you. Writing will take you to heaven and back all day long, but the next morning it’ll be gone without even leaving a note.
Because writing is love, and love is hell.

Robyn Bennis

Writing is something you do alone. It’s a profession for introverts who want to tell you a story but don’t want to make eye contact while doing it.

– John Green

If you are the kind of writer who can write the same thing over and over again and not get bored, then you might be able to develop the kind of brand loyalty that Child is talking about.

I can’t. I don’t want to repeat myself. So even though I know what he did is very smart, it’s not something I can or will replicate. I have to plan my own brand work around that decision.

That said, I am much more interested in building brand loyalty than I am in building customer loyalty. I didn’t have the words for this until I started this series.

I don’t want people to buy my books because they’re discounted or because I keep offering better and better variations of a good deal. I want people to buy my books because they enjoy my books.

Kris Rusch

Impostor Syndrome is real. Flip the script on it. Don’t let it have power over you. Admit you’re an impostor. Then admit that we’re all impostors — none of us belong here because art and story are forbidden, interstitial places. This thing we do is Buccaneer’s Den, it’s Mos Eisley, it’s a secret moon colony. Not a one of us “belongs” here. We all booked illegal passage through blackest night and sharky waters to get here. We’re not one ship, we’re countless life-boats strung together — a glorious flotilla of freaks.

This is who we are. It’s what we do. And what we do is sometimes hard. It’s hard for me. It’s hard for you. It’s hard for Stephen King. It’s hard for J.K. Rowling. King probably thinks that Rowling does it effortlessly, and Rowling probably thinks King sails through every draft, and the truth is, it’s hard for them, for you, for me, for every penmonkey that ever done monkeyed with a pen.

When a story reads effortlessly, it was not written effortlessly. In fact, the more effortlessly it reads, the more effort probably went into making it read effortlessly.

It took work.

Chuck Wendig

Random Friday

Words of Wisdom, Writers on Writing, whatever you want to call it, here’s the last quotes of the year! 🙂

Write if you’re gonna write.

You’re never too old to write.

And you’re also never too young to start.

But don’t wait. That’s the caution. That’s the danger.

Don’t sit on it. Even if you’re likelier to be more successful later, that later-in-life success is often built on the heaps and mounds of a lot of unsung, unpublished work in your youth. Use that time to build a mountain of glorious failures and fuck-ups. You only get to know what you’re doing by not knowing what you’re doing. You only get to the rarified air of success by climbing that mountain of shit work and fuck-uppery. It’s not a waste of time to write badly. It’s no waste to write in the wrong direction. The path may be circuitous, but the path is still the path. And writing is how you walk it.

The work won’t come to you.

You gotta go do the work.

That’s true whether you’re 16 or you’re 60.

So go do the work and stop worrying about age.

Better yet, don’t compare yourself to others. There’s always somebody out there doing it differently, and doing it better. Always someone younger, older, with more books, more awards, better sales, nicer hair, whatever. What they do isn’t what you do. Who they are isn’t who you are. Their path ain’t your path. Scrap all that worry and write.

Chuck Wendig

As writers, we don’t get a lot of moments like these. Moments where things line up and we get to look back and appreciate what we’ve done, and turn around and look at the future with some optimism. A lot of the day-to-day is loaded with stress, rejection, please-love-me posturing and loneliness. It is not a profession I would suggest to someone who doesn’t take criticism well, that’s for sure. But that’s what makes the good times so meaningful. The times when you realize why you do this, why you sit alone for hours pecking away at your keyboard in the dark, telling a story first for yourself, then for everyone else. We do this stuff because we have to, and I’d probably write books for myself alone if that was the extent of my audience. But it’s nice, hell, it’s essential, to sometimes feel like you’re pushing that boulder up the hill for a reason.

Alex Segura

Now, if we can only get rid of it from the writer side. If we can accept that our assumptions were formed in another century, a century that is stunningly different from ours.

We can write and publish what we want. We aren’t even doing it in the dark.

So, let’s embrace the present and publish our works. Let the future take care of itself, and drop as much of those past assumptions as we possibly can.

And remember—if you find a book that’s spectacular, share the news with someone else. That’s what’ll keep books alive for the next 100 years.

Just like it did 100 years ago.

Kris Rusch

The threat of writers block always looms. It can take a variety of forms from not having an idea to explore, to not feeling like writing, to feeling like you have nothing worthwhile to say. Writer’s block tells us something. Maybe that the story is not ready yet or that the idea is not viable. When I come to a blank page, I spend a lot of time beforehand arming myself. I have research. I have brainstorming notes. I have snippets of dialogue, a rough outline, and description all so that I can avoid any sort of block. My actual writing routine involves preparation the night before: thinking through what I’m going to write, making a plan, mapping out the scenes or chapter. When I’m writing, I might stop mid-paragraph or mid-scene rather than write them to completion so that when I can sit down again, I can slip right back into what I was writing. I may have multiple projects going so that I can switch to another should I get stuck on one. I prepare, prepare, prepare … whatever it takes (whatever works for me) — both in rhythm and habit—to keep putting words on a page. It may not just be writerly angst, but it can be worked around. Your mileage may vary, but give yourself space and time to work your story out.

And be kind to yourself while doing it.

Maurice Broaddus

Now realize I have believed all my work sucks for forty years, yet over 23 million people now have bought my books and more every day around the world. If I took that number in, I would be too “important” to ever write again. But if I believed there was no point because anything I tried would just suck, I would never write again.

So the balance is just creating a space in our own heads. Nothing is important really, but everything should be done the best we can do.

Be a window cleaner. Make the window so clean no one can see the glass and take pride in that and then move on to the next window.

Writing is no different.

We should all take pride in the work, do the best we can, keep learning, and then release and move on.

Dean Wesley Smith

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