Random Friday


Words of wisdom, writers on writing, whatever you want to call it, enjoy these writers’ quotes and have a great weekend! 🙂

Do not make escaping your day job a goal for your writing.

I hear this all the time, but the pressure is too much on the writing because the day job, the “real job,” is what makes everything tick.

But don’t worry, if you keep the writing fun, keep your family supporting you, keep learning, eventually the money from the business side will overwhelm the day job money. And by then you will have gotten help to deal with it all mentally, right?
Just don’t make the writing so important, so special, that it threatens the “real job.” If it does, you will grind to a halt fairly quickly because how we were all raised doesn’t allow threats to what pays the bills.

Dean Wesley Smith

 

You don’t start out writing good stuff. You start out writing crap and thinking it’s good stuff, and then gradually you get better at it. That’s why I say one of the most valuable traits is persistence.

– Octavia E. Butler

 

I think it’s fairly common for writers to be afflicted with two simultaneous yet contradictory delusions – the burning certainty that we’re unique geniuses and the constant fear that we’re witless frauds who are speeding toward epic failure.

– Scott Lynch

 

So, what am I telling you, exactly? Am I telling you not to seek help?
No, of course not.
But I am telling you to trust yourself and your instincts as a writer. Your voice is what makes you who you are.
Sometimes your voice isn’t suited to a particular subgenre of fiction. That’s okay. Genres and subgenres are >marketing categories, nothing more.
Write what you love, and you’ll always do better.
You do need to learn your craft. You need to learn the rules of grammar before you can break them. The same with the rules of storytelling—whatever your culture. (Not every culture appreciates the same storytelling rhythms. Accept that, too.)
You need to keep learning and growing and improving—which is precisely the instinct that caught both of these stupendous indie writers. Because in continuing to learn, they forgot that they already have mastered a certain level of craft.
They also both asked the wrong questions.
Kris Rusch

 

Don’t screw around with history. The study of history isn’t just an exercise in saying where we came from – it is an examination of who we are now. We all of us will see the past through the lens of the present, and if you decide that your past is a shiny one in which busty maidens loved to flirt with sword-wielding kings of justice while happy peasants enjoyed a humble life of shovelling cow-dung, then your world is… in need of a bit of a kick in the nethers, pardon my saying so. Because if you cannot see the past, and cannot see that the act of seeing expresses something about yourself, then you will never know your present.
Screw around with history! I know you put a lot of effort in finding out exactly what kind of throne Suleyman the Magnificent sat upon while holding his divan… however if it doesn’t have a bomb hidden under it, or the secret of eternal youth hand-stitched into the upholstery, it is dull. Atmosphere is not the same as pastsplaining. You’re here to create fun stories full of sound, colour and soul. History is full of stories that can be the starting point for something else – and if it teaches us to see ourselves differently, then permit yourself to see it through the prism of wonder and imagination too.’

Claire North, “Hurrem and the Djinn”

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Sunday Surprise


Words of wisdom, writers on writing, call it what you want! Here’s a break from Sci-fi July with lovely advice from wonderful authors.

I pretty much considered myself a failure by everything I had been raised. A successful person would be working a “real” job, raising a family, saving for retirement. A successful person didn’t work as little as possible to give myself more time to type made-up-stuff on a typewriter.

The concept of being a fiction writer was so alien to how I was brought up that I didn’t even realize until I was almost thirty that real humans wrote all the novels I read.  Yet I loved the challenge of telling stories.

And I think I loved more than anything that making up stories wasn’t a “real job” that people would accept. My estranged mother, right up until the day she died, thought I had wasted my life.

Wasted my potential” as she used to say.

And by the time she died I was a major bestseller. Didn’t matter. To her way of thinking, the real job way of thinking, I didn’t really work.

I didn’t get a paycheck, cash it, try to make it stretch until the next paycheck. Therefore I was a failure. Period.

The very real fear of not having a real job if you were raised in that kind of thinking is almost impossible to break. To this day I honestly don’t know how I escaped it. And I haven’t escaped it completely.

Dean Wesley Smith

I’d like to offer for your approval the highly unfashionable idea that good storytelling trumps everything else. Writers whose characters are made of purest silly putty and who can’t parse a simple English sentence regularly end up on the bestseller list because they know how to tell a story and keep readers turning pages.

There seems to be a school of thought that lovely writing is all that literature is about. I love to bask in beautiful writing, but I much prefer writing to be in aid of something, which is to say a good story. Likewise, I fully appreciate well-drawn characters, but well-drawn characters with nothing to do but gaze at the wall and soliloquize to themselves are pretty darn dull.

– Walter Jon Williams

I’m also confused by the fact that such a large part of recently written science fiction is very pessimistic. It worries me particularly that in SF aimed at children and young adults, dystopias have become the popular and most frequently published subgenre. I myself am naive enough to believe that we would feel better if we could read about a future that is worth living in. I’m also naive enough to believe that we currently have all the information we need to create such a future. Why, then, do so few science fiction writers nowadays describe this kind of alternative? This remains a mystery to me but it would be nice if more writers were to even give it a try.

– John-Henri Holmberg.

Remember This: Human Beings Learn Best Through Storytelling

We live inside stories. We learn empathy from stories. We gain other points of view and other ways of thinking from stories.Stories open new worlds. Stories create community.

Stories have great value—not just as entertainment, but from one human being to another.

Your readers might love your characters, characters those readers would hate in real life, and those characters might make it easier for your readers to understand their corner of the world.

Finally: Value Your Art

Kris Rusch

Hope is your beacon of light during the darkest of times as the tiniest sliver of light shines brightest just before the dawn. The best advice I can give to you for the difficult days ahead is to find the things and people they give you hope. Follow them. Support them. Do what you can to ensure the things that give you hope can continue.

Do not go gently into that good night. Fight. Hold on to your hopes and dreams for the future. Art harder. Live bolder. Become the best and strongest version of yourself that you possibly can. Take care of yourself and your fellow humans.

Love with all of your might, but whatever you do, never give in, never lose hope.
Steven Spohn

Random Friday


Since I don’t have anything new to report, here you go with words of wisdom, writers on writing, whatever you want to call them! Have a great weekend! 🙂

The formula for long-term success is easy.

1… Write what you love, what entertains you.

2… Learn continuously about the craft of telling stories.

3… Learn continuously about the business of publishing.

4… Learn continuously about how to handle a business and money.

5… Write more stories and novels than anyone else.

You want to study how I went from stalled to making lots of money with my writing?

Just buy all 36 issues of Smith’s Monthly and study them. 36 novels, 160 plus short stories, tons of articles and non-fiction, serial novels, and so on. And realize I laid out the first thirty of those issues out, from cover to interior to ads. Yes, I did the work on them as well until just last spring.

Write that much in three years, keep learning, and find innovative ways to get your stories to readers and you will be surprised how much money you can make.

But you can’t do that writing to market. At least not for long.

Only writing for love will allow you to maintain that pace and have fun at the same time.

So now I have, as Heinlein said, “Given away the secret.” Now anyone can do it.

Anyone can, actually.

Have fun.

Dean Wesley Smith

If we add up the sheer volume of TIME involved in the old way, why are we griping that we have been self-published three years and aren’t yet J.K. Rowling?

I have mentioned the problems with Millennial Authors (these are writers who have “come of age” during the digital revolution and they could be 22 or 67). I know the “old way” wasn’t better, but it does lead me to believe that writers of the “old days” have better tenacity because they didn’t enter the profession in the Age of Instant.

Yes, our first book might only sell a handful of copies. But guess what? In the “old days” odds were we would only sell a small number of copies as well (refer to statistics above). But, unlike the “old days” we can keep writing more books. We can keep at it until something sticks or until we decide to move on.
Kristen Lamb

2017 is going to be fascinating because the world economic situation is in flux, just like our industry is in flux. What we do know is this: People read books in good times, and people read books in bad times. We just have to figure out how to get people to read our books.

How do we do that?

First, we write the best damn stories we can. That’s why people read. They want to escape (or get information and escape, in the case of nonfiction).

Second, we produce the best product we can, in as many formats as we can manage, so that our readers have choice.

Third, we let our readers know that a book is available. Note that Open Road succeeded by putting backlist books on bestseller lists. Five years ago, traditional publishers said such things were impossible.

Fourth, we plan for the good and the bad. Readers want us to keep writing. They want their favorite authors to publish as many books as possible as fast as possible. Readers also know that we’re not machines, so they move to other writers while they wait for us. But readers will wait.

So if you’re having a rough year, figure out what it will take to survive that rough year. Then return. And as you plan for your future after that rough year, plan for the good and the bad. Try to be debt free. Try not to overpromise. Start learning your business and grow, slowly, so that you can be around ten years from now.
Kris Rusch

To me sketching is like taking notes of thoughts. You practice and practice to build up that sense of shape, form and beauty, but not to just do beautiful drawings or paintings. I think too many artists are obsessed with doing a perfect drawing every time. It is not about doing a nice drawing every time, it is about being able to do a nice drawing when you need it. That is why you practice, that is why I doodle.
– Claire Wendling (Barb’s note: this applies to writing as well… just sayin’!)

(…) there are so many layers of competency you have to take on in writing science fiction and fantasy. When your writing concerns only reality, there are things you don’t need to question. Writing science fiction and fantasy means you need to question whether there’s even a sun. And then question what direction that sun comes up in and what color it is.
– Nalo Hopkinson

Sunday Surprise


Words of wisdoms, writers on writing, you name it! Enjoy these writers’ quotes and happy Sunday! 🙂

However, artistic freedom sometimes comes with a price. And that price is sometimes too steep for many writers to pay. Low sales, bad reviews, and so on.
Artistic freedom takes courage to write what you actually want to write, not just what you think you “should” be writing to keep the money flowing or what your workshop tells you to write or some editor or agent tells you to write.
Courage to hold onto your own artistic freedom is sometimes difficult and certainly not an easy task.
But the artistic freedom this new world of publishing gives you should be cherished. I know, I worked thirty years without it and now that I actually understand how lucky I am, I’m going to defend it even more
I love the freedom to make my own choices in publishing, right or wrong.
I love the freedom to write what I love to write, what I want to write. Period.
And once again, I will say it simply: I love this new world.
Dean Wesley Smith

There is a saying among writers: “When you write a book, the first words of the novel will sell that novel, but the last words in the novel will sell the next.” In other words, a powerful novel will make your reputation, will cause people to remember your name, so that with future books, the fans will simply pick them up without thinking. They might not need to know the title or check the reviews on your next novel. They’re fans for life.
David Farland

Because ELIXIR was my first book, I didn’t write it under a deadline. I could take my sweet time to work on the story, waste hundreds of pages on tangent plot lines that went nowhere, stop and start as inspiration ebbed and flowed, and revise indefinitely. All told, I spent almost seven years on that first book. And then the publishing gods smiled on me and I found myself with a two-book contract which allowed me a little over seven months to write the follow-up, UNVEILED. Given my writing history, this task sounded almost impossibly daunting. What I realized, however, as I successfully completed the manuscript well within the deadline, is that tasks expand or contract to fill the time available. I took seven years to write ELIXIR because I could. I wrote UNVEILED in seven months because I had to. More time does not necessarily make for a better book, either. When there was all the time in the world, that time was most often unproductively frittered, whereas the deadline had a way of sharpening my focus, making me more attentive. And attention begets inspiration.
Ruth Vincent

Inspiration comes and goes, creativity is the result of practice.
– Phil Cousineau

What I know is this:
We’re writers, and writers write.
And so, this year’s authorial resolution is far humbler, far smaller –
Write, despite.
What I mean is, no matter what happens, keep writing. No matter how exciting or terrifying the news becomes, write anyway. Force the time. Look away. Focus up. Eyes on your paper. Demand of yourself the creation of stories. Carve out the mental and emotional territory, and the temporal and physical landscape, in order to keep doing what you’re doing. In times like this, the distractions are endless. It’s easy to stop. It’s all too simple to feel overwhelmed by what’s going on and to stare at the Eye of Mordor as it fixes its gaze upon you. And yet, no matter what, you gotta do the thing. You gotta tell the stories. You gotta write it all down.
Write, despite. Or if you’re so inclined, write in spite of everything.
Your art does not need to be rebellious for you to rebel against everything. Just making art is an act outside the natural order. It is already a contravention of the status quo. And it’ll only get moreso in the coming year(s). Write despite. You needn’t aim any higher than that. You can. But the best thing you can do is to give yourself that mandate:
Write no matter what, write anyway, write always.
Have a great 2017. Carve your words into its hide. Tell the monster your tales.
Chuck Wendig

Random Friday


Words of wisdom, writers on writing, total randomness but I don’t have anything to say. So I shall let others speak for me – they’re so much better at it! Have a great weekend!

It’s really hard to understand people who are wired differently. I’m never really going to understand people who think going to clubs and getting drunk with friends is fun, and they’re never going to understand why I think staying home on a Friday night and working on my art is fun. I don’t believe everyone who doesn’t have drive is just out partying all the time, but we all have different things we do. Some people watch a lot of television. Some people like to shop. Some people go to concerts. Or roller skate. Or play basketball. If I played a lot of basketball on weekends would that be a problem?
(…)
Also, I think many people don’t realize that the drive exists before getting the work, and when you’re going head to head with some kid who is pulling 40 hours a week at art making before they get their first job, you’re up against someone who has jet propulsion while others are still trying to invent the wheel. That drive comes early, and it sometimes never goes away. It’s a huge advantage. Where does it come from? I don’t know. It’s not fair, but it’s an essential, and it will topple the talented, confound the uninitiated, and look like magic to others.
I’m not going to apologize for my focus and ability and I don’t think anyone should have to. No one feels the need to apologize for being smart and studying a lot, why should I apologize for making art a lot?
I don’t think any amount of explaining will get through to people who simply don’t get it. Either you have drive or you don’t. I feel a lot of sympathy for those who don’t and who want it. It must be like trying to see a color you simply can’t see.
Colleen Doran

Don’t bend; don’t water it down; don’t try to make it logical; don’t edit your own soul according to the fashion. Rather, follow your most intense obsessions mercilessly.
Franz Kafka

Imagination is like a muscle. I found out that the more I wrote, the bigger it got.
Philip José Farmer

I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.
Maya Angelou

Artistic freedom.
I have no one I have to answer to for my choices in what I write, how I write it, or why I pick a project I pick.
No one.
If readers don’t like something I write now, I figure they might in twenty years. So I don’t let readers into my process at all. I don’t write for money or fame or any of that stuff.
I just write for me.
And only me.
Total artistic freedom.
That is something that I never had as a traditionally published writer. Not once, not ever. Even when writing my own books there were always gatekeepers and sales forces and so on.
And anyone going into traditional publishing now not only gives up all rights to their work, but also gives up all artistic freedom.
In this modern world, a writer does not need to do that. I have no idea why any writer would willingly do that.
Maybe, just maybe it’s because complete artistic freedom and everything that means scares writers too much. Too much responsibility or something.
Dean Wesley Smith

Sunday Surprise


Words of wisdom, writers on writing, whatever you want to call it… here’s your monthly dose of quotes! 🙂 (and thank you, Lyn, for posting the #LTUE2018 quotes)

“… Every time you write a book, you’re actually writing two books at the same time – the one on the page, and the one in your head. That’s why it’s so difficult to edit your own work – because when you read what’s on the page, you’re filling in the gaps with the stuff that’s only in your head…”
– Maxwell Drake
#LTUE2018

“…There is no such thing as Writer’s Block. All writer’s block means is that you’re bored, you want to be doing something else, you’re stuck, you’d rather be playing Call of Duty. Want to know how to get past writer’s block? Give yourself a good shake, clear your head, sit down in the chair and get back to work, and remember that this is the best job in the world and how lucky you are to have it… and that just like any other job, you don’t get to wallow if you want to get paid. I mean really, how long would an accountant last if one day he looked at his spreadsheets and was too bored with them to do his job? Who would hire a builder who lost the vision halfway into building a house? I could go on, but you get my point – if you want to have a carer as a writer, you don’t get to have writer’s block…”
Larry Correia
#LTUE2018

“…If you want to effectively write the other [other gender, race, culture, politics] you have to start by doing your homework. Get out of your comfort zone. Meet people who are different from you; talk to them and listen to what they say. Read books written by/for people with other points of view. Open your thinking. And keep in mind that no matter how much research you do, the character you’re writing only represents one person, and not all members of the other group…”
(Panel discussion)
#LTUE2018

“…As humans, we operate on a trust cycle – for example, I trusted a pilot I had never met to fly a plane built by people I didn’t know to bring me here to speak to a room of strangers. And even though we know there’s no guarantee of a tomorrow, we plan for it anyway. Science Fiction builds on this forward-thinking mindset…”
– Todd McCaffrey
#LTUE2018

“A good writer can watch a cat pad across the street and know what it is to be pounced upon by a Bengal tiger.”

― John le Carré

Random Friday


And I shall open the year with words of wisdom, writers on writing, whatever you want to call them to ease you through the new writing year… Happy writing and reading! 🙂

There are a lot of negatives in the writing life. Rejections, bad reviews from both readers and critics, poor sales, editors who quit on you before your book is published, Internet trolls, self-doubt, depression, and worst of all, utter indifference from the world. The positives of a writing career outweigh the negatives by a country mile, but you have to be prepared for the negatives so you can survive them and not let them derail you. Mental toughness – or maybe resiliency is a better word – is just as important, if not more so, than any other quality for a writer’s continued success (not to mention sanity). And just when you think you’re as tough as any writer who’s ever lived, you’ll take a hit which knocks the breath out of you and lays you out flat. And then you’ll get up, shake it off, and get back to work. Because you have to.
Tim Waggoner

Writer is a job.
I almost feel like I should end it there.
WRITER IS A JOB, he yodels, then goes and writes.
Writing can be a career. It can be a hobby. An art form. A distraction. An exploration. Some get paid nothing to do it. Others, very little. Some make enough with it to do the work full-time. Sometimes “writer” is even a job title inside a company. If you work for a video game company, or for a movie studio, or for any kind of content creation company… nnyeah, yes, those people are writers. It’s real. They’re not unicorns. They’re not secretly mailroom attendants who were given the job title of ‘writer’ just to make them happy. Don’t diminish them. They are writers who write and they write for money. I get the point. I’m not saying you should quit your day job and expect the MONEY HOVERCRAFT to back up to your house and fire wads of cash into your garage with a cannon, but there’s money there. And occasionally, it’s very good money for the time you put in.
Being a writer does not mean you are also automagically at a job. Being a writer and making money does not mean it is your only job. I had a day job while freelance writing — until one day, I didn’t, because I was making enough as a writer. A lot of novelists and freelancers have day jobs, but that doesn’t mean writing fails to serve as a companion job. It’s like, just because I ate a meal at lunch doesn’t mean dinner does not also comprise a meal. If I have one child, I may also have a second one — the second one isn’t a pet or a robot. You can have two things. You can hold two truths. You can have more than one job, and writer can be part of your cabinet of professions.
Chuck Wendig

Here’s the truth of indie publishing, folks: It’s a business. It takes five to ten years for a business to become solid. So if you started your indie publishing business in 2010, you might (if you managed it well) be seeing some predictable patterns and very real growth. If you started last year, you’re still in the early years yet, and you have some tough times ahead.
Those of you new to this blog will note that I say “indie publishing” when so many others say “self-publishing.” The reason is simple: it now takes several people to produce a book. Yes, you can do most of it yourself (self-publishing) but to do it well, you need copy editors and maybe a cover designer, beta readers and some classes in marketing (or someone to teach you how to write ad copy). There are a lot of things worth hiring out, and some things you should keep close at hand, and those things all vary according to the author.
But very few authors go it 100% alone. Those authors are self-publishing. The rest of us, those who hire out a few (or all) of the jobs? We’re indie publishers.
Kris Rusch

My advice is this: give yourself the freedom to explore new genres and new avenues of your imagination. Don’t limit yourself to autobiographically “write what you know.” You might find yourself slowly cannibalizing your life experiences, as I have done at times, but it’ll be the natural result of your storytelling, not some paint-by-numbers autobiography masquerading as fiction.
You’ll have the most fun writing—and your readers will have the most fun reading your work—when you do one thing above all.
Follow your passion.
Dave Hendrickson

If there’s a book that you want to read, but it hasn’t been written yet, then you must write it.
– Toni Morrison

Random Friday


Since Sundays were busy with other stuff and I don’t have any random fact for you, here’s some writers on writing, words of wisdom or whatever… It’s been more than two months since the last, so I hope you like it! Have a great weekend! 🙂

First off, I need to explain what I see developing for a writer in this new world of publishing.

With discoverability difficult, with no real way to even manufacture or promote yourself into a bestseller anymore, the writer of today going forward is going to have to build a career slowly. And build it on quality storytelling and productivity.

In other words, the writing world has returned to what it used to be. When I came in, the standard was that if you were prolific and could keep learning and getting better and were persistent, you could start making a small living in ten years or so.

Now, with the indie road to sudden riches gone, writers must learn numbers of things to survive in this new world and start making a living with their writing.

A writer must be prolific. Long gone are the one-book-a-year writers making decent money (past the crop of older traditional bestsellers still going.)

A writer must be a good small-business person. Long gone are the days when you could have an agent take care of you.

A writer must learn sales language and be able to understand sales. Long gone are the days when a sales department did all the work for you.

A writer must learn how to do all their own production. Long gone are the days when you mailed off a manuscript and it came back a finished book a year later.

So now a writer must be a writer, publisher, production person, and a sales person, all balanced and wrapped together in tight, but separate spaces.

That’s the reality I see going forward for writers.

Dean Wesley Smith

Look, if there’s room on bookstore shelves for my books, which smash together genres like a toddler with building blocks, then there’s room on shelves for whatever you got going. Don’t worry about the ephemeral vicissitudes of “the market,” or fret over what’s trending with agents and publishers right now.

Write the story that screams to get out of you. Take chances. Make mistakes. Get messy. Don’t be like Arnold on The Magic School Bus, the kid who always said, “I knew I should’ve stayed home today.”

Nobody liked goddamn Arnold. He should’ve stayed home. Don’t be Arnold

Michael J. Martinez

The bottom line is that writers need the freedom and relief of knowing they aren’t failures just because they don’t promote books a certain way.  I know authors who have written excellent books who have done ads, mailing lists, newsletters, blogs, Facebook, and other things very well.  And yet, their sales aren’t showing it.  You’d swear by the lack of sales that they aren’t effectively promoting their books or that their books suck.  Things couldn’t be further from the truth.  They are doing everything right, and for some reason, they aren’t selling as well as they should be.

Whether marketing gurus will ever admit this or not, there are forces outside of our control that impacts our sales.  We have no control over which reader reads our books, likes it enough to pass it on to others, or even if a particular reader has a high level of influence within his/her circle.  All writers can do is control the product (book) and the type of promotion they choose to do.  From there, it is out of our control.

So take heart if you’re a struggling writer.  You’re not alone, even if you might feel like it.  No one can guarantee your success if you follow their formula.  They can only give you strategies that might help.  But they can’t promise you anything.  Take their advice with a grain of salt and apply that which fits your personality best.

Ruth Ann Nordin

So why is this? Is it because, as many would like to so casually say, I just haven’t done “enough”?  That I just don’t live and breathe writing every second of the day? That I’m not a *real* writer? Is it because my books are bad? Because if they’re good and I’m really trying I’d be a monetary success by now. I’d have tons of money. I’d be rolling in the easy dough.

Right?

Wrong. Because writing is not a get rich scheme. Period. Sure, there are going to be a few success stories. Some people can get rich at anything, but just like in traditional publishing, those are few. How many Stephen Kings are there? How many JK Rowlings? How many midlist people you have never even heard of?

Exactly.

So, my point is not to say “boo hoo” (I’m happy with where I am). It’s NOT to ask for your advice, it’s to say that maybe we should stop judging success by whether we are making a fortune and start judging it by whether we’re writing books we love – books that our readers love – and quit worrying about whether we’re selling as many as everyone else.

Besides, it’s impossible to truly compare to everyone else because, you know, no one wants to cop to the numbers.

Have a pennies on a tombstone kind of day!

Joleene Naylor

“I love deadlines. I love the whooshing noise they make as they go by.”
Douglas Adams, The Salmon of Doubt

“There is no greater agony than bearing an untold story inside you.”
Maya Angelou, I Know Why the Caged Bird Sings

Sunday Surprise


And it’s writers on writing, words of wisdom, writers quotes and have a wonderful Sunday! 🙂

Write what you need to write, not what is currently popular or what you think will sell.
P.D. James

Making money is about providing a product or service people will happily pay for. To publish profitably, you need a book that people want; a book they will enjoy reading. Then, you need to produce it into a beautiful product that appeals the target audience and immediately conveys benefits; then you need sales copy and reviews that overcome objections and convince them to buy. Then you need ways of driving traffic to your product.

After all that, you continue tweaking until your conversion rate is high and consistent. Most authors think “writing to market” or considering your audience means writing shitty bulks to fill a need. That’s not at all what I’m saying. I want you to write better books that people actually enjoy, not the book that you enjoy writing. Write for others, not for yourself.
Derek Murphy

But let me give you a couple hints I gave last year (or you can learn how to fix in the blog posts, my book, or the sales workshop.)
If your blurb contains plot from more than the first chapter of your novel, you are in trouble.
If you can substitute the words… “and then this happened and then this happened and…(so on)” for your plot elements in your blurb, you are in trouble.
If you have any of the verbs… is, was, has, will… (and so on) in your blurb, you are in trouble.
If your blurb is a massive, long paragraph, or two, or three massively long paragraphs, you are in trouble.
Tags…? Got any?
Got any author information besides the fact you were born and love cats?
And so on and so on…
So, are your book sales not what you think they should be??  Then just maybe your actual sales tools are bad.
Your book might be great. But few people will ever read it in this modern world if you push them away.
Just saying…

Dean Wesley Smith

There are three rules for writing a novel. Unfortunately, no one knows what they are.
W. Somerset Maugham

Recently I posted this comment on Facebook: “People always ask me how I find time to write. I don’t. I choose to write.” I was in the process of finishing a movie novelization that I had only a few days left to turn in to the editor, so I didn’t pay much attention to the comments that followed. When I checked Facebook later, I saw that several people found my comment “not supportive” and even hurtful to people who had so much else going on in their lives that they didn’t have the privilege of extra time to write. I tried to clarify by adding that “Everyone has their circumstances, but anyone should be able to find a few minutes a day or week to do some writing.” If people truly want to become writers, they need to make a commitment to producing writing, however they can work it into their lives. Seems like common sense, right? If you want to get good at something, you have to practice.
Tim Waggoner

Sunday Surprise


Since I skipped July, here’s some words of wisdom, writers on writing, inspirational quotes for writers, whatever you want to call them, to take you through the summer… Happy Sunday!

NO MATTER WHAT, KEEP WRITING.
William Gibson shared some advice on that phone call. First, never do a multibook deal. Second, don’t buy the big house. Sound counsel, although I was bummed that sinister monkeys weren’t somehow involved. He also said that many of his most successful writer friends are distinguished by the fact that they KEEP WRITING, rather than getting distracted by side projects or celebrity. The week before Cumulus came out, I finished the rough draft of my next novel. It’s currently in editorial and I’m gearing up to dive into a new story. Writing is the ultimate democratic artform. If you’re reading this post, you’ve probably written an email. If you’ve written an email, you can write a book. It might not be the Next Great American Novel, but it would be yours. If you’ve written a book, you can write a better one. If you’ve written a better one, then please don’t stop because I want to read everything you dream up. When it comes to storytelling, we are the only things standing in our way.
Eliot Peper

Learn to write by doing it. Read widely and wisely. Increase your word power. Find your own individual voice though practicing constantly. Go through the world with your eyes and ears open and learn to express that experience in words.
P.D. James

Simply put, your mission with your fiction is to entertain your reader enough for a few hours that they will want to buy more of your work.
If you take the attitude that you are always learning, always having fun, always practicing and trying to entertain people, you will discover you are more productive and sell more.
If you are having fun, entertaining yourself while you write, then your readers will feel that and be entertained as well.
You can sell your practice sessions, folks. Practicing has no pressure on it. Write clean, keep learning, and keep having fun.
That really is the secret.
Dean Wesley Smith

Publishing is a racket because most self-publishing authors see their books as an investment, when it’s actually a gamble. It’s a gamble because they don’t know how to reach their readers (or who their readers even are). They don’t know whether anybody will really enjoy their books. They hope to make some money from their books but because they didn’t write it for the money, they are OK with continuously spending more and more time, effort and money into their books even when they get zero results.
Publishing is a racket because the majority of people making money in publishing are the people selling services to authors. People selling services (myself included) get paid for their time and expertise, but have no interest helping you to make your book successful. (That’s not exactly fair, I should also point out that it’s because, in this business arrangement the author calls the shots and most first time authors make terrible choices, even when the people they hire for help try and get them to make better choices. There’s a built-in tendency towards self-sabotage when the least experienced person gets to make all the decisions).

Derek Murphy

Stories may well be lies, but they are good lies that say true things, and which can sometimes pay the rent.”
Neil Gaiman

Start writing, no matter what. The water does not flow until the faucet is turned on.”
Louis L’Amour

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