Sunday Surprise

(already posted on the Facebook page)

Six Questions for Nightly Bites – Author Lesley L. Smith

1. What is it about vampires that draws you to them?

Of course, vampires have been popular for over a hundred years and they have been used as metaphors for a variety of things including AIDS, homosexuality, class warfare and more. In my opinion, however, I think people like the idea of living forever. They like to imagine they’ll never have to age or die. Vampires let us experience this vicariously.

2. What is your story in the anthology about?

“A Study in Scarlet” is about a vampire living in the future, on a spaceship, when a murder occurs. Not surprisingly, a vampire is pretty handy to have around when blood is spilled (if he can keep control over himself)! Without giving too much away, the protagonist does use his special skill to good effect.

3. What inspired your story?

This story actually encompasses horror, science fiction, and mystery! Yes, I got a little carried away with genres. I started out wondering about the strange and horrible idea of globules of blood floating in zero gravity.
In addition to floating globules, my story was inspired by the wonderful Arthur Conan Doyle’s Sherlock Holmes novel of the same name, from 1887. It doesn’t get any better than Sherlock Holmes.

4. Do you always write about vampires? If not, what do you write about?

While I enjoy horror and mystery very much, I primarily write science fiction. I really enjoy the combination of science’s rationality with fiction’s imagination.

5. What should readers know about you?

In real life I’m a physicist and I’m a little obsessed with quantum mechanics right now. A lot of my fiction seems to have quantum mechanics in it. Since I’m also a woman and a lot of my fiction has female protagonists, the combo of physics and kick-ass women surprises some readers. But, I believe in following the muse, and my muse wants to show all kinds of people that science can be a fun adventure THEY can do.

6. Is there anything else you’d like to tell us?

I’m honored to be included in Nightly Bites! Thanks for the opportunity!

Six Questions for Nightly Bites – Author Barbara G.Tarn

1. What is it about vampires that draws you to them?

I had read the first three of Ann Rice’s books and enjoyed the movie “Interview with the vampire” (1994) but then I got bored with the whole topic – too horror/gory for my tastes. Some fifteen years later I went back to the bloodsucker stories through Joleene Naylor’s Amaranthine series, and even read Dracula (I didn’t enjoy the movie much, so I didn’t read the book until 20 years later).

2. What is your story in the anthology about?

It’s set in the 12th century, starting at the siege of Damascus during the second crusade, and ending in Lincolnshire, where Baldwin was born. He’s one of the shortest-lived fledglings of Bran the Raven, a millenarian bloodsucker of Celtic origins.

3. What inspired your story?

In all the “Vampires Through the Centuries” stories, I like to explore moments in history through vampires. The other very short story in the anthology shows an 18th century Maratha soldier turned into a bloodsucker after a battle and even more short-lived than Baldwin! The long-lived ones (Rajveer, Kaylyn and Shashank) allow me to explore centuries of history, which is very funny and entertaining.

4. Do you always write about vampires? If not, what do you write about?

I had only one “Bloody Story of Vampires” (that I may include in “Nightly Bites Volume 2”) before starting “Vampires Through the Centuries”, and that’s just one of my series. I write mostly fantasy – historical in the above example, secondary world fantasy (Silvery Earth), science fantasy (Star Minds), urban fantasy (body switches) – and some science fiction and every now and then a contemporary story (but the present doesn’t inspire me very often).

5. What should readers know about you?

I’m a professional writer and hobbyist artist! I did comics and some of my own covers covers, and I dream of an illustrated book for adults or ten. My influences come mostly from movies and comics, more than books, so my prose is quite dry and I don’t write long epics, hence I gave up traditional publishing that required 100K opuses in my preferred genre…

6. Is there anything else you’d like to tell us?

It was fun to put together this anthology and I look forward to working on Volume 2!

Six Questions for Nightly Bites – Author Joleene Naylor

1. What is it about vampires that draws you to them?

Vampires can be anything. They can be scary, romantic, thoughtful, sad, happy – a vampire author can do a period piece, a contemporary story, even a sci-fi, and use the same universe. In the Amaranthine universe, I’ve written stories that span from the 1600s to modern times, I’ve written shorts about losing loved ones, about playing poker, about revolts, wars, death, and even about a child vampire looking for a playmate. Writing vampires gives me so much freedom, and they’re immortal, so you can really dig into character development.

2. What is your story in the anthology about?

It’s the origin story of Verchiel, one of my most popular characters. Kateesha, his master, botched the turning and when he wakes in an inn, he has no idea who he is or who she is, and he doesn’t remember being human.

3. What inspired your story?

I’m working on a series of Executioner stories – the Executioners are the police in my vampire world. I already knew a little about Verchiel’s turning, so I thought it would be fun to find out the rest.

4. Do you always write about vampires? If not, what do you write about?

For the most part, yes, because my fans aren’t really interested in me as a person, but rather in the characters and the universe. However, I am working on a fantasy novel with my brother.

5. What should readers know about you?

I have a lot of free short stories available. A. Lot. Like more than fifty. Most of them can be read as stand alones, though of course they’re better if you’ve read the Amaranthine series. You can find the full list on my website at

6. Is there anything else you’d like to tell us?

Okay, quirky fact: I love stuffed animals, and treat them like they are sentient beings part time. They all have their own personalities, and relationships with one another, etc. etc. Their society has been set up since I was a kid (my mom used to talk them for us), and I think that’s where a lot of my imagination and characterization abilities come from.

Six Questions for Nightly Bites – Author Russ Crossley

1. What is it about vampires that draws you to them?

The immortal nature of the undead vampire fascinates me. If the vampire isn’t destroyed how do they survive the centuries?

2. What is your story in the anthology about?

My story takes place in an alternate future where the Confederate States won the US Civil War. The story centers around a female vampire and her sister who are rebelling against the Confederacy and the vampire leader and the consequences of their rebellion. It is a story about love, family, and courage.

3. What inspired your story?

I often wonder how if vampires took over the world what it might look like with these undead immortals in charge.

4. Do you always write about vampires? If not, what do you write about?

No, not all the time. These days I’m writing mostly space opera set in the 42nd century.

5. What should readers know about you?

I’ve written stories in many different genres including romantic comedy, mystery, science fiction, fantasy, and zombies to name a few and love to read in many genres of fiction and non-fiction. I read and write for characters than inspire me and they are always seeking some form of justice from their perspective. They love to right wrongs. For some reason I write many strong female characters though I am a male.

6. Is there anything else you’d like to tell us?

I am married to a writer, painter, and musician and my youngest son is an actor, playwright, and producer who has worked extensively in Europe and Asia. We are a very arts forward family and truly love what we do.


Sunday Surprise

And it’s another Sci-fi July author! And I even met him three years ago, yay! Ladies and Gentlemen, please welcome Michael W. Lucas!

Where do you live and write from?

I live in Detroit, Michigan, and write from my authorial garret above my family home. As garrets go, it’s pretty nice. I have running water and a view of the power lines.

Why do you write?

Because I love doing it. I love telling stories. Good writing is clear thinking, and while my brain is usually full of mud writing forces me to sieve away the muck and produce clarity.

When did you start writing?

I was four when I discovered that books were not a gift from On High. They were produced by people–real people, not, like, TV stars or Presidents. People like me.

So I started writing books. And annoying my relatives and schoolmates with them. Now I get to annoy the world at large.

What genre(s) do you write?

As Michael Warren Lucas, I write SF and crime novels. I’m probably best known for the Immortal Clay books: a play off of Carpenter’s amazing The Thing, but set after we lose. I write just about anything as short stories.

As Michael W Lucas, I write nonfiction technology books. Nonfiction provides
some interesting storytelling opportunities. My fiction and nonfiction writing each feeds off the other.

What is your goal as a writer and what are you doing to achieve it?

I am always looking to become a better writer. Every book I write, I’m practicing a particular skill.

Writing is my full-time job, so I have business goals too. I’m looking to boost the share of my income that comes from fiction. Each novel I write sells better than the last, so the solution is pretty clear: write more novels.

What is the best piece of writing advice you’ve ever been given?

Writing advice is a weird thing. What’s great advice for a beginner is terrible advice for a medium-stage author and irrelevant for an advanced author.

The best writing advice I’ve ever been given actually isn’t writing advice, it’s life advice: “Listen to the people who are doing the thing you want to do, the way you want to do it.”

Hanging around with other writers and talking about writing is great fun. I’m thrilled to hang out with more experienced authors, and I’ll happily chat with writers that aren’t as far along as myself. But I’m really choosy about whose advice I listen to.

Many people who can’t do a thing talk a really good game about the thing. That guy in your writing group who is full of comments about your use of passive voice and how you break up paragraphs, but who has never sold a dang thing?  He’s not providing useful information.

When someone tells you how your work made them feel, though: that is ALWAYS valid and useful. Always. It’s the most useful writing advice you’ll ever get.

Outliner or improviser? Fast or slow writer?

I always have an outline. Permit me to present the complete outline for my crime thriller “Butterfly Stomp Waltz.” It’s utterly full of
robbery and bloodshed and vengeance.

Anthony Bourdain:

  • Atlanta
  • Portugal
  • Myanmar

Yep, that’s it. Food and travel shows are great for researching foreign places. If you can make the reader taste the food in that little town in the back of the Myanmar jungle, they’ll believe you’ve been there.

My writing speed depends entirely on the project. The novel I’m currently writing, a sequel to BSW called Terrapin Sky Tango, is being difficult.

Tell us more about your book in the bundle

In the Montague Portal series, the Montague Corporation has figured out how to leap into alien universes with different natural laws. Unfortunately, not all of those universes like humans.

More unfortunately, we bring human nature with us.

Mind rotting from an incurable prion disease? Go to a universe where the disease cannot progress, and get attacked by aliens (No More Lonesome Blue Rings). Or be among the first to visit a universe, solve a robbery, and save the world. (Sticky Supersaturation). There’s a universe where density varies linearly and there’s no ground… more specifically, no grounds for murder. (Forever Falls).

Montague Portal is kind of Star Trek, but every story has a built-in excuse to change how everything works.

Hydrogen Sleets is set in a universe exactly like ours, but it’s only about half a billion years after the Big Bang. The universe contains only hydrogen atoms screaming past at half the speed of light and a 1960s-style space station made of spinning concentric rings. It’s not just a SF mystery where our heroine needs to figure out why people are going insane and attacking the station; it’s a corporate procedural, where the frustrations of working for a company form part of the story. With laser guns, and forbidden shwarma.

It’s a perfect book for the Sci-Fi July Bundle. I was thrilled to be asked.

Tell us about your latest book

I describe git commit murder as “If Agatha Christie ran Unix cons.” If you work in the computing industry, if you’ve ever been to a computer conference, this book is for you.

Any other projects in the pipeline?

I’m currently writing a sequel to Butterfly Stomp Waltz, called Terrapin Sky Tango. Yes, I’m watching a few Anthony Bourdain episodes for that one. Plus a new, big nonfiction book.

Non-fiction Author

Fiction Author

Sunday Surprise

And it’s a guest! She was kind enough to interview me on her blog, so I thought I must reciprocate! Ladies and gentlemen, please welcome Mercedes Fox!

01.3 book ipad 2Where do you live and write from?

I live in Colorado and write from here as well.

Why do you write?

I’ve always wanted to be an author since childhood.

What genre(s) do you write?

I write horror. I’m toying with the idea of trying out a mystery but I feel like a fish out of water if there isn’t guts splashing all over the place.

Do you put yourself in your stories?

I do use people I know for some characters. Though I change their names and don’t make it obvious. It is to me. In my second book Life After: Werewolf Domination some of the characters, okay, all of the characters are friends and family at the core.

Tell us about your latest book

My latest book is Poaching the Immortal: Vengeance of the Werewolf book 2. Like it’s predasscer this book is violent and bloody. It deals with Ted, a character from Vengeance, who goes on a hunting trip only to find out the other hunters are hunting him.

Indie publishing or traditional publishing – and why?

I’m an indie publisher for a few reasons. First, I can get my book out right now. Second, I don’t have to seller my rights to a big publisher who then guts my work. Third, I don’t want to deal with publisher rejection.


Author Photo NEWwhere to find Mercedes:







Book Link: Poaching the Immortal


Sunday Surprise

unnamedAnd it’s a guest! From the upcoming Ink Slingers Halloween Anthology (I go the Smashwords link yesterday and no time to start reading it, so stay tuned for more), ladies and gentlemen, please welcome Russ Towne!

Where do you live and write from?

I live in Campbell, California, USA. It is near San Jose and San Francisco. I write from wherever I might be at the time the seed of an idea is given to me and begins to grow.

Why pg27do you write?

There are actually several reasons I write. I write because I must. I’ve learned story ideas are precious gifts and to gratefully document and share them. I believe it would be selfish of me to horde or ignore them. Sometimes when I’ve tried the latter it was as though a great and growing pressure built inside me to the point where I could no longer think or function until I let the ideas out and shared them with others. So, I write to function and survive.
I write to provide a greater balance my life. I’m a wealth manager at a firm I founded in 2003. I spend much of my days using the logic portion of my brain. Writing helps me to maintain greater balance by allowing me to use the creative portion of my brain.
I write because to do otherwise would be to ignore the whispers of my heart. I’ve found ignoring my heart is always a bad idea.
I write to remind myself and readers of the greatness and goodness within ourselves and others.

51Td18sEtuL._AA160_When did you start writing?

I was over fifty years old and had convinced myself that I didn’t have a creative bone in my body. Then, about four or five years ago a friend named Denis Loiseau invited me to co-write a song with him. We had so much fun working together that we collaborated on several songs that were picked up by music industry executives from Nashville and Hollywood, and an invitation to go to Nashville to meet some music executives. Although we are receiving royalties for some of our songs, we are far from having made it to the Big Leagues of songwriters, but it has been a fantastic adventure and a whole lot of fun. Songwriting led to writing poetry, which led to writing children’s stories, and fiction and non-fiction stories, which led to writing three anthologies of my own stories, and compiling three anthologies featuring the work of forty or fifty other writers. It has been an exciting four or five years.

51-GufbUMHL._AA160_What genre(s) do you write?

Children’s stories, non-fiction stories, poetry, and fiction and flash fiction in a wide variety of genres including adventure, action, science fiction, speculative fiction, crime, thriller, paranormal, western, gold rush, utopia and dystopia.

What does your writing routine consist of?

The writing routine that works best for me is no routine. I write when the words flow so forcefully that I’m pretty much unable to think or do anything else. Sometimes the flow keeps me writing all night (which is less than ideal during the work week), and at other times I go months without writing a thing. I’ve learned if I’m patient the flow will return. Sometimes it starts as a trickle and grows, and at other times it’s a flash flood removing everything else in it’s path. I’ve tried to write without the flow but it feels too much like work, is frustrating, is rarely (if ever) productive, and wastes precious time. I love to have fun when I write or do anything else, and I have the most fun writing with the flow rather than trying to write in its absence. My favorite time and place to write is outdoors, especially at night in the Spring, Summer, and Fall. I especially love writing in the rain as I sit at a covered table with the rain splashing overhead and all around. I’m a bit of a Goldilocks writer in that I enjoy writing night or day in all kinds of weather, except when it’s too hot or too cold, but when it’s just right, I write. My Chocolate Lab Duke is nearly always at my feet keeping me company.

vg_cover-2What do you feel are your strengths as a writer?

I believe readers experience and feel a greater connection with my heart and spirit, the hearts and spirits of others, and most importantly, to their own. I often hear that something I wrote made a reader cry tears of joy or healing tears. I consider that the ultimate compliment, and am honored and humbled by such heart-felt feedback.

How have you developed these qualities?

I listen to the whispers of my heart. It is my North Star as a writer. It won’t lead me astray.

41fckWLZF7L._AA160_Where do you find your inspiration?

Inspiration often comes to me at the most inconvenient times and places, such as when I’m in bed preparing to sleep, in the bathroom, working outside, or driving. It is when my brain has calmed down a lot that I’m able to hear the heart whispers.

Do you put yourself in your stories?

Sometimes, especially for non-fiction, but often my fiction stories begin with an actual event or experience and I just let my imagination lead me from there. I believe starting from a real event enables me to more authentically describe all I felt and experienced.

41nFuaEKKEL._AA160_Outliner or improviser?

Yes. I do both depending on my need at the time, but even my outlines are often only created in my head. My favorite is free-form writing where I just start a story and let it take me where it needs to go. I’m often amazed at the ending and what I’ve experienced along the way. To me it’s like an incredible adventure on a mighty, fast-flowing, uncharted river in the jungle. I never know what is around the next bend or when my journey will end.

Fast or slow writer?

Fast. I get bored with long projects. I love for ideas to flow as water from a fire-hose and the challenge of capturing all I can as fast as I can.

for CSTell us about your latest book:
In the next five or six weeks I’m releasing four or five books and re-releasing one, so it’s tough to choose. They are children’s books except the re-release which is titled Touched. The latter features many of my speculative stories and flash fiction. I’m proud of all these books, but I’ll go with Touched as it probably reveals more glimpses of my heart and spirit in a single book than the others. Most of the stories are uplifting though often the protagonists have to go through harrowing experiences to survive. It is a celebration of the human spirit expressed in many ways and genres.

Indie publishing or traditional publishing – and why?

I began with Indie, but I recognize advantages and disadvantages of each, so some day may choose another path.

61mGm8f6TwL._AA160_Any other projects in the pipeline?

Beyond the several being released by October 31, the seeds of several other stories are sprouting in my brain. I plan to give to them more of the attention I believe they deserve after I get through releasing the ones I’ve already written.

What is your goal as a writer and what are you doing to achieve it?
My goal is completely selfish, simple, and aligns with my personal definition of success: To do what I love and to do it with love (for as someone once said, doing anything else is a wasted opportunity). That is success to me as a writer or anything else.

51Ukcy9ln7L._AA160_What is the best piece of writing advice you’ve ever been given? “

Write would you want to read, what would touch and entertain you.” I attempt to do that every time I write. I figure that over time like-hearted people will discover my stories and quickly feel at home. In reality, they’ll simply be feeling a greater connection with their own loving, beautiful, and compassionate hearts and spirits, and those of others, hopefully including mine.


61PwxwKuucL._AA160_Russ Towne lives with his wife in Campbell, California. They’ve been married since 1979 and have three children and three grandsons. In addition to enjoying his family and friends, and his dual passions for investing and writing, Russ loves to spend time in nature, especially near rivers and streams that run through giant redwood groves, and near beautiful beaches. He enjoys watching classic movies, reading, and tending to his small fern garden and redwood grove. Russ manages the investments of the wealth management firm he founded in 2003. He has published fourteen books, eight of which are children’s books, with five more scheduled for release by October 31, 2015*.
Russ’s books can all be found on His Amazon Author Page can be found at
Purple Fox and the Heebie Jeebies*
The Grumpadinkles*
Zach and the Toad Who Rode a Bull*
Misty Zebracorn*
V. G. and Dexter Dufflebee*
The Duck Who Flew Upside Down
Clyde and Friends
Clyde and Hoozy Whatzadingle
Clyde and I Help a Hippo to Fly
Rusty Bear and Thomas Too
Clyde and I
Children’s App Based on Characters from His Clyde Books:
Clyde and Friends children’s app developed by Gail Nelson using characters from Russ’s series of Clyde books: scheduled for release via the Apple Store by October 31, 2015.
Russ’s Blog:
Clyde and Friends —
Stay updated on Russ’s latest children’s books, apps, songs, and merchandise (featuring the animated characters that appear in his stories). Readers get sneak previews of special stories, background information about where his story ideas come from and how they are developed, and opportunities to help Russ prioritize the order in which his stories and books should be published, the look, and sometimes the names of some of his characters.
The titles of the books he has written or compiled, published, and released include:
From the Heart of a Grateful Man
Reflections of a Grateful Man
Slices of Life An anthology of the selected non-fiction stories of several writers.
Palpable Imaginings An anthology of fictional short stories by several writers in various genres.
Touched Short stories and flash fiction
Heart Whispers An anthology of the selected works of over 20 poets.
Books for Young Children:
Clyde and I
Rusty Bear and Thomas Too
Clyde and I Help a Hippo to Fly
Clyde and Hoozy Whatzadingle
The Duck Who Flew Upside Down
Clyde and Friends
Russ has four blogs:
A Grateful Man (nonfiction uplifting posts)
A Grateful Man’s Poetry
Imaginings of a Grateful Man (fictional short stories)
 Clyde and Friends (About writing children’s stories)
Why Russ Writes
Russ hopes readers experience truth and kindness in his writing, to remind everyone of the greatness and goodness within ourselves and others.

Sunday Surprise

And it’s a guest! Smashwords Authors group monthly feature on Goodreads! Ladies and gentlemen, please welcome Elizabeth Grace Foley!

Corral Nocturne eBook CoverWhere do you live and write from?
I’ve lived my entire life in upstate New York.
Why do you write?
Perhaps…because I can’t help it? I’ve been making up stories in my head ever since I was a little girl, and as I grew older, the impulse to write them down and refine them into real, carefully-crafted fiction grew stronger and stronger. It’s just something that I love to do.
LeftHandKelly-eBookWebWhen did you start writing?
Technically, my first fiction writing was done on sheets of paper stapled together to make “books” almost as soon as I learned how to write. I was always writing something and occasionally daydreaming about being an author someday, but I really began to get serious about writing and developing my craft about seven or eight years ago, I think.
What genre(s) do you write?
Everything I write comes under the heading of historical fiction. I’ve written in several sub-genres or variations on the genre, though—Westerns are my main interest; I also write historical mystery, and I’ve written a few short stories set in other periods (i.e. the Civil War and Great Depression).
Mrs. Meade Volume One Front CoverWhat does your writing routine consist of?
My daily routine isn’t carved in stone; I like to do most of my actual sit-down writing in the morning when my mind is freshest. My projects have a basic routine, though—I handwrite the first draft, then type it and edit as I go. After having some family members and beta readers read it and give feedback, I do several rounds of edits as needed, both on paper and on the computer.
What do you feel are your strengths as a writer? How have you developed these qualities?
Well, I’ve been told by readers that my writing has an old-fashioned feel and authentic-sounding dialogue for historical fiction. If that’s so, I credit reading plenty of older literature all my life, which is great for making that sort of thing second nature. Personally, I think creating interesting, likable characters may be one of my strengths, possibly because it’s one of the things I enjoy most. Almost all of my stories begin with characters that I build the plot around.
RanchNextDoor_smallWhere do you find your inspiration? Do you put yourself in your stories?
To answer the first part of that—well, pretty much everywhere. Books, movies, history, life in general. History is one of my biggest inspirations. To the second part—ah, that’s the trick question for a writer! I’ve never deliberately based a character off myself, but I know bits of my personality and ways of thinking must creep into all different characters and stories inadvertently.
Outliner or improviser? Fast or slow writer?
I outline longer works to give myself a sense of where I’m going, but not too rigidly. For short stories I usually just make a list of scenes. And slow writer, definitely!
Wanderlust-Creek-smallerTell us about your latest book (add link if published)
My most recently published book is Wanderlust Creek and Other Stories, a collection of Western short stories. My personal favorite of the collection is the title story “Wanderlust Creek,” which is about a young rancher and his wife struggling to hold onto their land and their dreams in the face of adversity from without and within.
Indie publishing or traditional publishing – and why?
Indie. I learned about indie publishing at just the right time, after I’d been trying to find a way into the traditional short story scene, but struggling unsuccessfully to find markets that accepted the kind of story I was writing. A lot of things about it appealed to me: the aspect of creative control, the favorable royalty system, and no need to search for those markets.
Some+Christmas+Camo+Final+MediumAny other projects in the pipeline?
The fourth entry in my Mrs. Meade Mysteries series, The Silent Hour, will be releasing this fall. Right now I’m working on revising a historical/Western novel manuscript, but I know it’s going to need a lot more work, so there’s no timeline for its release yet. One day!
What is your goal as a writer and what are you doing to achieve it?
I’m better with short-term goals than I am with long-term. But my ambition has always been to write a novel, so the one big step I’m working toward is to make that a reality. I’d like to write any number of historical novels; I have plenty of ideas stored up. Right now I’m just working steadily away on the manuscript that I hope will be my first full-length novel, trying to make it the best work I know how to do.
War-Memorial-SmallWhat is the best piece of writing advice you’ve ever been given?
I’ve occasionally been plagued with doubts over whether what I was writing was “serious” enough or meaningful enough, especially compared to what other writers were doing. Then one day I saw this tweet by Austin Kleon, author of Steal Like an Artist: “Whenever I have tried to do what I thought was ‘serious’ it has thrown me off the scent of my own talents.” That was a big encouragement and relief to me—it’s encouraged me to focus on my own writing strengths and do what I find most enjoyable and meaningful, and not compare my work to others’ so much.

Sunday Surprise

sog advertAnd it’s a guest! And an old friend, since her first interview came out with her first book that I loved (and it came out before more famous shades of gray was published – and it’s a completely different genre!)! So, here we are again, almost five years later, another six books for a great series I keep recommending whenever someone asks me. Ladies and gentlemen, please welcome back fellow indie author and beta swapper Joleene Naylor!

Where do you live and write from?

We recently moved back to southwest Iowa, which is where I grew up at it. There are things I miss about southern Missouri, like the warmth, but there are things I’m enjoying. Like autumn was much autumn-ier here. The change of location hasn’t had any impact on my writing, except that the moving and house renovations put me behind.

Why do you write?

Hmmm. Everyone asks this question and I usually give one of the standard answers, but the truth is I don’t know. I took a writing break for a few years and I got back into it because I wanted to join a Harry Potter fan fiction/role play group. Then I started the vampire series because I wanted to write something dark…I guess I write because I can.

When did you start writing?

I used to write “books” when I was a kid, which went into my teenage and early adult years. (I have several novels stacked up in notebooks) but as I mentioned above I quit for a while and it was the Harry Potter Fans Around the Globe Yahoo group that got me going again. Wow, looking back on it those first few posts were terrible! It just shows if you don’t use it, you lose it.

CoL advert1What genre(s) do you write?

Speculative fiction. I have vampire series Amaranthine, but I have been considering doing a second fantasy series on the side if I ever get time, and then there is the meg project I have with a co-author. We may never finish it but by God we’ve made a go at it.

What does your writing routine consist of?

I need a routine, but alas it’s all very random. Everything I do is random. Sometimes I think a schedule would be great, but I never manage to stick to one.

What do you feel are your strengths as a writer? How have you developed these qualities?

I’m good at torturing characters. I’d actually like to torture them more than I do, but I try to stay lower key. I think that’s why the unpublished Patrick prequel had issues from beta readers – because I torture him a LOT.

Where do you find your inspiration? Do you put yourself in your stories?

This is where I am supposed to tell you about all the vampire series I read, but truth is I’m bad and I don’t. Most of my inspiration comes from anime. I’d love to see the Amaranthine series as anime or manga.

Outliner or improviser? Fast or slow writer?

Improviser most of the time. If I do an outline I feel like I’ve already written the book. And I’m slow. Mind numbingly slow. Probably because I lack that writing routine…

CoL for amazonTell us about your latest book

Clash of Legends is the seventh book in the series. It’s the end of a story arc and wraps up a lot of things that readers have been waiting for. Or I hope they’ve been waiting for it. For new readers, it could be read as a standalone if you don’t want to invest in six previous books.

The explosive seventh installment in the Amaranthine series brings blood, ruin, despair, and hope, for even in the darkest night there is still a moon.

After the battle in Indonesia. Katelina wakes in Samael’s domain. Though her memories are tattered, she knows someone is missing: Jorick.

Her vampire lover gathers an army to save her from the ancient, but his master Malick interferes. For five hundred years Malick has manipulated and ruined Jorick’s life. When he leaves Katelina broken and bleeding in the bowels of his oasis, it’s the final straw.

While Malick sets up his glorious war with a living legend, Jorick plans the ultimate taboo: to kill his master. He’s tried before and failed. Will this be different, or will he and Katelina be crushed in the carnage of a greater battle, between two whose blood goes back millennia?


amazon –

B&N –

smashwords –

apple –

kobo –

Indie publishing or traditional publishing – and why?

Indie. I like to control everything, and this way I can.

Any other projects in the pipeline?

I’m planning to rework that Patrick sequel I mentioned and give it away to people on my mailing list (you can sign up at ), There’s a short story collection I’d like to finish (Tales of the Executioners), and then the eighth book, of course. There are some people who think I should quit the series after the next book because it’s too many books for one series. What do you think?

What is your goal as a writer and what are you doing to achieve it?

I’m going to be honest again. I don’t ever expect to make a living from my books – it was hard before and is only getting harder. Many traditionally published authors don’t make a living wage, and there are even fewer indies who do. I just want to know that there are people who enjoy my stories. Sure, I’d like there to be hundreds, but you know what? When I had seven fans I was happy, too. So as long as people are enjoying it I’ll keep plugging along.

What is the best piece of writing advice you’ve ever been given?

That’s a tough question. I guess the best is to never give up and not to expect too much. Having goals is great, but none of us will be the next Stephen King just by putting a book on Smashwords. Be realistic, and then work towards whatever your goal is, whether it is to be the next Stephen King or just to entertain people.

joleene naylor 2About Joleene

author blog:

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Sunday Surprise

d40388e226a77c7ce70c8ceee77644540f223979_resizeAnd it’s another Wyrd Worlds author! Ladies and gentlemen, please welcome back Neil Shooter!

Where do you live and write from?
I live a quiet suburban life not too far from Toronto. Far enough away, you might say. I love the hilly rural region to the NE of the city, and I love that it is accessible to me “at this end of town”.
I usually write right here, on my couch, laptop on my, well, lap, and clicking away incessantly. But sometimes it just feels better to have good old pen and paper, and then I can be anywhere: front porch, back yard, lake front park, coffee shop, passenger seat, bed, kitchen table, toilet, or, indeed, right here on my couch.
When did you start writing?
I can’t remember when I started writing, because it’s something I remember doing, and enjoying, since I was very small. I didn’t pursue writing seriously, because it seemed to me that I was supposed to get a degree, and a job, and a house, and a car. But that kind of life was never suited to me, nor I to it, and I would find myself scurrying outside on my breaks to jot down a few words, or running to the washroom with a scrap of paper hidden in my pocket and my trademark pen on my ear (a habit carefully cultivated so as to never draw suspicion).
When I finally realized I had my priorities wrong, I made sweeping lifestyle changes, and began self-publishing. I still have to work for a living, mind you!
What genre(s) do you write?
I write science fiction or fantasy, or some combination of the two. I am very disappointed by the science accuracy level in most science fiction movies, and so I have always strived for realism in all my writing. Even if there is magic, or super alien technology, people are still people, and the world still has to be internally consistent.
The simple modern world usually fails to grasp my imagination, and so very little of what I write is set in the real world of today. I’ve tried to expand my horizons, but not with any great success. I simply enjoy what I enjoy, I suppose.
Where do you find your inspiration? Do you put yourself in your stories?
I find inspiration all the time. If I’m without pen and paper, I can make notes on my phone, but usually I am prepared. The down-side is that I can’t read anything without finding inspiration from it. Or watch anything. Put me in front of a documentary, and I’ll be scribbling away, taking notes like in class. Even dramas can trigger something. Most of my inspiration, though, comes from things that I read, from news, to surfing the internet, to novels, to the local newspaper. You never know when it will strike!
I’ve been looking through a box of 25 year old newspaper clippings, and some of them are real eye-openers. Yes, I’m the kind of person who can move from one continent to another, and still manage to bring boxes of newspaper clippings with me…
There is a little bit of me in every story, I must confess. There’s also a little bit of the people I know in every story. My own emotional experience can illuminate a character, and I’ve always been good at playing devil’s advocate, or seeing things from other people’s point of view.
Do you have a specific writing routine?
One day I hope to have that luxury, but right now I have a day job that pays my bills. That said, I have a gentle start to the day, browsing news stories, doing some light research, or noting down an “important” dream. Almost every day I have the chance to sit for an hour or two by myself and just focus on the ideas in my head. I enjoy having the kind of job where you can let your mind wander to an extent. For me, this mental calm of being physically occupied contrasts nicely with the focus of reading and writing. The trick is to be able to remember your train of thought hours later when you have opportunity to get things on paper!
I’m more creative at night, I suppose because of a day’s worth of thoughts bubbling about in my brain, unless that time of day is simply the time that everything else has been done, and I can sit and think? I like silence, or occasionally some soothing mood-building music.
Outliner or improviser? Fast or slow writer?
I think I’d be a fast writer if I simply had the time, or the opportunity, to write more, but on average I’m quite slow. I’m kind of hot and cold, because no two days follow the same schedule.
I find that improvising gets me a certain distance into a story, and then I get lost. But on the other hand if I plan everything out, it seems to take all the juice out of it. I’ve been trying to find a kind of hybrid way of doing things, so that there is enough of a framework to keep me going in the “right” direction, but enough for me to discover as I go that I stay interested! I’ll let you know if it works out.
Tell us about your latest book
My latest story was “The Visitor”, published exclusively in the “Wyrd Worlds 2” anthology, but it will also be in my “Annual 2014” (hopefully in December 2014).
“The Visitor” is a mysterious stranger who loiters outside an average looking house on a cold, wet, and windy night. The house contains a visitor who must depart before the stranger can make his approach.
It’s a story about time, and family, and aspects of it are highly personal, but I still really enjoy reading it – and that is how I judge my own stories!
Indie publishing or traditional publishing – and why?
To be honest, I’ve never tried traditional publishing, and I’m not sure if that is a strength or a weakness on my part. I’ve also never tried a “Small Press” indie publisher. I’ve chosen to self-publish on the internet in order to retain control over my own work, but I wonder if a set schedule and an advance might spur me on?
The hardest thing about self-publishing is finding people whose opinions you trust, who can be proofreaders, beta-readers, editors, and artists. I’ve tried to be all of these things for myself, but, if my sales are anything to go by, I haven’t been very successful.
I think that is where the future of self-publishing lies: in the building of communities of authors who can help each other become better, and providing a framework for author-related services that, in a traditional publisher, would simply be done for you.
Any other projects in the pipeline?
Always! My third instalment of “The Causality Sequence” is called “Gravity”, and is still plotted out scene by scene, but remains half-written.
In a similar state is a new story called “The Edge”, which is about a pair of scientists running an astronomical array in the outer reaches of the Solar System.
And another new story that is probably near the top of the pile is not yet written, but buzzing around in my mind every day recently, is “The Linguist”. It’s about a translator called to a hospital to deal with a mysterious patient who speaks no English, and no recognisable language, but speaks something.
The story “The Kinnon Gate” is the beginning of a story called “The Last Bastion”, where a bunch of otherworldly heroes unite to defend the last human city in a world ravaged by war and destruction. I’m hoping against hope that this will be released some time in 2015!
There’s more, of course (there always is!), but these are the things you are most likely to be able to read any time soon.
What is your goal as a writer and what are you doing to achieve it?
My goal is to write, to find time, every single day, to write something, while at the same time juggling my family and my life. Ideally I’d like to be fabulously wealthy, a man of leisure, and able to write as much as I wanted, but in the meantime, I do what I can (most of the time).
I’m trying to keep one eye on the things that distract me, that take me away from writing. Some can’t be ignored, like work, or sleep, but others can be shuffled, or moved around on the list of priorities. I have to figure out how to not feel guilty about sitting by myself while there are people who want to spend time with me. I suppose it’s all about finding the right balance!

Connect with Neil Shooter online




Also by Neil Shooter:

The Causality Sequence:

1. Causality (Causality appears in the anthology Wyrd Worlds)

2. Probability

3. Gravity (coming soon)

Homeless (Homeless also appears in the anthology Wyrd Worlds II)

The Visitor (Available exclusively in the anthology Wyrd Worlds II)

The Kinnon Gate appears in the anthology: The Battle of Ebulon

Sunday interview – Cara McKenna

I read excerpts of Curio during Six Sentence Sunday last year and was so intrigued by those short excerpts I ended up downloading the book from Amazon. It’s sweet and funny and hot and I couldn’t put it down… where can I find a Didier? 😉 I even learned a new word (I thought Curio was a name, LOL) and when I finished it, I had to interview the author. And she’s even having a giveaway (what a generous author!), so skip to the end of the post if you want that! 🙂 But then come back and read the interview…

Ladies and gentlemen, please welcome Cara McKenna! 

1. Where do you live and write from?

I live just north of Boston on the coast, in a condo comprised of the slopey-ceilinged top floor of a very old house. When I moved in with my now husband, I took over the front room and painted it chartreuse and turned it into my office. I do ninety-five percent of my writing here, sitting on a yoga ball chair as I am now, typing on a desktop Mac. My front window looks out onto the cove, and on a lucky summer day I’ll see egrets and herons, or in the winter, legions of hardy bufflehead ducks.

2. When did you start writing?

I started writing seriously on July 4, 2008. I was up in Maine visiting my parents for the holiday when I first opened a blank Word document and decided to start writing a romance novel. I finished it about four months later—writing on weekends and in the morning before work, and during my lunch breaks at the office where I did graphic design. I was possessed, madly in love with this new hobby and the thought I might one day be able to do it professionally—get paid to be creative on my own terms, which wasn’t something I was getting from design. I joined RWA in August, I believe, using the Golden Heart as my very first deadline. I didn’t final that year, but I did the next. That first book was never published, and with good reason, but it was the book I used to put all the writing advice I’d absorbed into practice, the book that both taught me to write and proved I could finish a 100,000-word manuscript. I realize now that it kind of sucked, but I’ll always treasure it. That’s my advice for people who tell me they want to write a novel. “Write a shitty one first. It’ll teach you everything you need to know.”

3. What genre(s) do you write?

Contemporary steamy romance, erotic romance, and straight-up erotica. My erotica typically promises a happy-for-now ending or better, but not always. I’ve written vanilla stuff and kinky stuff, menage and male/male and rape role-play, all kinds.

4. Where do you find your inspiration? Do you put yourself in your stories?

Usually, the hero comes first. Either a face will spring to mind, or a personality, or even something as simple as his job. Once I know who he is, I ponder what kind of woman would be both the best and worst partner for him, to make him confront his myriad issues (my heroes usually have a lot of issues, some of them clinically diagnosable.) Occasionally I’ll come up with the heroine first, but not typically. I don’t put myself in my stories…not consciously. I’m sure all of my heroines have a healthy dose of me in them, in their worldview or their sense of humor or their quirks and biases, and some more than others. But I’ve never modeled a heroine on myself, or anyone I’ve met, or someone else’s fictional character. They just show up on their own, chuck full of opinions.

5. Do you have a specific writing routine?

I do. I’ve been writing full-time for the past three years. Typically I try to sit down at the computer by 7:30, and unless I’m mired in editorial revisions, I write until lunchtime (with a break to go running, most days), banking 2,000 or 3,000 new words and smoothing over the previous session’s work. I self-edit as I go. I wish I could write straight through at break-neck speed as some authors can, but that’s not my process. Creatively I’m useless after about 1:00, so I switch to admin tasks or freelance design or real-life chores in the afternoon. Or sometimes I get sucked into a vortex of reality TV and wind up watching Hoarders on Netflix Instant Watcher until it’s time to make dinner.

6. Outliner or improviser? Fast or slow writer?

My answer is the same for either question—both. When I start a book, especially if it’s for Harlequin Blaze, a line with reader expectations I have to be mindful of meeting, I usually latch on to a basic story idea, figure out how the hero and heroine meet, and get writing. By the third or fourth chapter, I have to hit pause and figure out where the story is going to go, so I can get myself on track to wrap things up within the given word count. I hammer out how the book needs to end—who needs to be redeemed and how, what the essence of the black moment should be, how the characters need to change and what complications could spur that change—and then I get back to writing, with a bit more of a map. But I never know exactly what will happen. Finding out is half the fun, and it keeps me going, wanting to know what’s coming next. As for speed, it depends on the day. Some rare mornings I can bang out 4,000 words by ten o’clock without breaking a sweat. Other days I have to tweeze each and every word out of my brain like a splinter, and flick them onto the page in a nonsensical pile. Days like those, I’m lucky if I get 500 words written, and even luckier if half are salvageable. But most days are somewhere in between. Decent flow, moderate count, neither euphoric nor torturous, just enjoyable and challenging and steady.

7. Tell us about your latest book

The next book I have coming out, on August 29, is called Coercion.  It’s the first of the five Curio Vignettes, a series of short, follow-up novellas to my 2011 book Curio, which is about a virgin heroine and a Parisian male prostitute hero. This first sequel is a little kinky, and has the characters experimenting with forced seduction role-playing. Sort of quirky and atmospheric, romantic and filthy at once. I love writing those two characters. I’m in the middle of the fifth and final Vignette, and I’ll be sad when I say goodbye to Didier and Caroly. They have such interesting, off-beat views of sex and love and the world at large. It’s fun visiting inside their heads. And beds.

8. Indie publishing or traditional publishing – and why?

A mix of both. My first sale was to Ellora’s Cave, and I’ve now sold them about fifteen original books, plus some anthologies. I’ve had a great experience with them, and they let me write just about anything I want, theme-wise. Lots of creative freedom. I also write romance for Samhain, and enjoy a healthy combination of freedom and structure there, since romance has more boundaries than straight-up erotica. And Harlequin is the most challenging of all, as series romances need to conform enough to make good on the promises each line makes to its readership. But I enjoy the challenge. There’s still plenty of room to play within the line’s structure, and it makes me a more controlled, disciplined writer, coloring (mostly) inside the lines.

9. Any other projects in the pipeline?

Yes, lots! Between August and December, I’ll have a new Curio Vignette out each month. I also have a stand-alone Blaze out in January called The Wedding Fling, which is about a runaway B-list Hollywood bride and the unscrupulous pilot who flies her to a tropical island for her honeymoon getaway, sans groom. Then I have three more Blazes releasing as a series, with the first book, Making Him Sweat, out in March. Those take place between a matchmaking franchise and the boxing and MMA gym located right beneath it, in Boston’s Chinatown. Hopeless romantics and bruised, sweaty fighters in endless, unlikely combinations. In April I have a romantic novella out with Samhain, part of five-book series on the theme of “Strangers on a Train” with four of my favorite author friends. My story strands its heroine and hero in a subway station overnight in the dead of winter—romantic, huh? And I also have some other top-secret stuff in the works, but I can’t talk about it as of the time of this interview. Maybe by the time it posts, the cat will be out of the bag 🙂

10. What is your goal as a writer and what are you doing to achieve it?

Just to keep writing, keep getting better, keep evolving, and keep exploring new kinds of characters and stories and avoid boredom. It’s beyond my control to plan that I’ll make this list or that, or earn a certain amount as an advance, or be the next so-and-so. I can only control what stories I write, and whether or not I sit down each morning and get the words on the page… Though I would like to keep making enough money for this to stay a viable day job, since I’ve never been happier. Thank goodness I opened that blank Word doc, four years ago! I didn’t know what I was missing.

If you’d like a chance to win a copy of both Curio and Coercion, just say so in the comments, by noon EST on August 29! I’ll pick a random winner that afternoon. And if you’ve already read Curio, I’m happy to send it to a friend of your choosing instead, if you win.

Sunday Interview – Roz Lee

I read an excerpt of Still taking chances on Six Sentence Sunday sometime last year, and had it on my Kindle for a few months… I finally managed to read it, and WOW! A Dom-sub love story – perfect length, perfect “heat”, perfect everything! 😀 So I had to contact the author and ask her the usual questions… Ladies and gentlemen, please welcome Roz Lee!

1. Where do you live and write from?

This should be a really easy question to answer, but for me – not so much! Technically, I live in New Jersey, but my husband’s job is in California, so we’ve come up with a system that works for us – for now. Hubby lives in California, and I split my time between both coasts. Fall and winter in California, spring and summer in New Jersey. The system has its obvious drawbacks, but in this economy, you do what you have to do. Thankfully, my work is portable. Have laptop, will travel!

2. When did you start writing?

I’m a late bloomer. I didn’t begin writing until my kids were in high school, and I didn’t get really serious about it until they were in college! Who says empty nest syndrome is a bad thing?

3. What genre(s) do you write?

I write contemporary erotic romance, though my latest release, Sweet Carolina, is more of a traditional romance. I purposely turned down the heat level on that one for my youngest daughter who wanted me to write a story for her. Yeah, my girls are grown, but I’ve forbidden them to read my erotic romances until they’re married!

4. Where do you find your inspiration? Do you put yourself in your stories?

Oh, lordy! My family says they can’t take me anywhere because I will turn anything into a book! That’s not an inaccurate statement. I came up with the idea for my first published novel, The Lust Boat, while on a family cruise. The idea for Inside Heat came to me while surrounded by my husband’s business associates at a Padres baseball game. Yeah, it can be dangerous to take me places!

As for putting myself in my stories – I suppose I do. I think every writer does, to a point. After all, our characters spring from our imagination, so they are a part of us. Worse than putting myself in my books, I’ve been known to put friends and acquaintances in them – but never without their advance approval! Some people just belong in a book, you know?

5. Do you have a specific writing routine?

It would be nice if I did, but no. I write when the mood strikes – and at the expense of just about everything else. I tell everyone – if the floors are clean, I’m not writing. I may think about a story for a long time, but when I’m ready to tell it, I can get out a first draft in an amazingly short period of time. After that, I try to take a break from it – days, weeks, whatever it takes to get some perspective before I go back to it to see what I’ve got. The floors are usually clean during this phase. The laundry is done, and I actually cook meals!

Still Taking Chances is a perfect example of the way I work. The character of Elgin Huddleston popped into my head one day – name, physical attributes and all. He stayed in my head for nearly two years before I was ready to tell his story. Once the story was fully formed, I wrote it in less than a month – actually, I think it was about two weeks.

6. Outliner or improviser? Fast or slow writer?

Improviser – Fast writer. See answer to question #5 where you will see that the opposite is also true, only the outline is in my head, and it can take years for me to actually write the story.

7. Tell us about your latest book (add link if published)

My latest is Sweet Carolina. As I mentioned before, I wrote it at the urging of my youngest daughter. She’s a huge fan of professional stock car racing. I’d never seen a race until she hauled me to the longest one on the circuit – the Coca-Cola 600 in Charlotte, NC. She really wanted me to write a story involving a racecar driver, so I told her I would – if I could come up with characters and a story I hadn’t seen before. Skip forward a few years. Add in several more races, a trip to the pits and the Hall of Fame, lots of research and countless hours watching television coverage of races, and I finally had a story.

Dell Wayne was once the most promising young driver on the circuit, but following the death of his racing legend father on the track, he’s earned the nickname – Madman. When Dell’s antics on the track cost him his ride, his childhood playmate, Carolina Hawkins, offers him a lifeline – a chance to drive for her team – Hawkins Racing.

Caro is living her dream – running her families race team, only it’s more of a nightmare than she expected. At twenty-three, she’s inherited the bones of a once respected garage, but if she can’t find a driver with the ability to win races, she’ll be looking for a job before the season is over. Unfortunately, the only qualified driver without a ride is Dell Wayne. There’s a good driver inside that fire suit somewhere, but can she find him before he drives Hawkins Racing into bankruptcy?

SWEET CAROLINA is available from these retailers.


Barnes & Noble


All Romance eBooks



iBookstore (I have no idea how to link to it!)

8. Indie publishing or traditional publishing – and why?

My first six books were with a small traditional publisher, and I’ll always be grateful to them for taking a chance on a new author. After a while, I realized I was doing most of the heavy lifting – writing the book and promoting the book. My publisher provided an editor and cover artist, formatting and distribution – all things I could acquire or do myself. So I did! I’ve self-published my last two books, and I’m loving the process. I have complete control from concept to banking the royalties, plus I can see in real-time what works and what doesn’t in regards to publicity. No more waiting six months to see how my sales were!

9. Any other projects in the pipeline?

I’m currently in the step away from it phase on the second book in the Mustangs Baseball (Inside Heat) series. I usually have a title by this point, but I’m still calling it Jason’s story. I promise to have a title before it goes on sale! I know my cover artist is anxious for me to come up with one. *hangs head in shame*

10. What is your goal as a writer and what are you doing to achieve it?

Funny you should ask. I recently had this same discussion with my cover artist. Here’s what I told her – and I was sort of joking, but not really. You know when you pick up a book, and the first thing you see is the author’s name and you have to scan the fine print to find the book title? That’s my goal – to be one of those authors!

I’m working on it – building name recognition, one book at a time. Thanks, Barb, for helping me with that – and thanks for having me over today – it’s been fun.

Well, it was my pleasure to have you here, Roz! Now I’ll have to check your other titles and add them to that never-ending TBR list, sigh!  I just love this brand new world of… ebooks – and so do my (overloaded) bookshelves! 😀

Sunday Interview – Marjorie F.Baldwin

Sweet A.T.Weaver apologized for being long-winded and today’s guest also mentioned she was ready to cut some of her words. But you know what, ladies? This is your spotlight, and you can ramble as much as you please! I’m a writer, I know what it means when you just can’t stop because you’re writing about what you love. So I will stop rambling myself, apologize to the author for NOT reading her book yet – it’s on that infamous TBR pile a.k.a. my Smashwords library, sigh – and let you enjoy today’s guest. Ladies and gentlemen, please welcome Marjorie F.Baldwin!

Where do you live and write from?

North Carolina, on the Eastern Seaboard of the United States. At least, for now. I’d like to move to Europe for a while and travel around a bit, then ultimately, retire in the Negev Desert.

When did you start writing?

When I was a kid, very young, I wrote my first story. I started making them up in my head earlier, though. My first character, Joshua Andrew Caine, was a 30-something cross between the Marlboro Man of the 1960s cigarette commercials and the blond version of Richard Chamberlain in Young Doctor Kildaire. Him, I conceived in my mind, fully-blown, when I was about five (in first grade).

As a child, I saw nothing wrong with imagining this fully-grown man in my head but as a middle-aged woman, I have to wonder what was going on in my child-mind that I made up adult characters instead of age-mates. William Harrington followed swiftly behind Joshua (no pun intended) though I did originally imagine them as just “very good friends.” I was an innocent child and definitely did not understand what sex was, let alone “sexual orientation.” Ah, the sweet ignorance! By my teens, I’d really fully-developed both Joshua and William and a half a dozen more characters from the series. Joshua and William were still very good friends, but they were already more than that—I just didn’t know what exactly. I figured out the what—that they were a gay couple—when I was around 20. I started writing the series a year or two later. I was seriously naïve in my teens despite being completely out there in the world (I started clubbing around age 12, in 1972 when there still were night clubs in Boston so I sure had the opportunity to see a lot but I seriously had no clue). I think I found them to be such interesting men and people, I just never really objectified them as sexual targets. Odd, because I usually have no trouble objectifying men as sexual targets (LOL).

What genre(s) do you write?

Science Fiction, more of the Classic SciFi and “psychological” kind than the exploding spaceships stories with alien wars that are so popular today. I write the old-fashioned stuff from the Golden Era—but with a fresh new voice. My voice ^)^ Since I do see humans (not just men) as sexual creatures, however, I have a lot of sex in my stories. It seems to bother some people while Romantic SF has actually grown into a genre unto itself. My SciFi stories don’t follow the “romance novel” format though. They’re more about the Sci in the Fi than the umm, you know what goes in the pie.

Where do you find your inspiration?

Oh, everywhere. All of life is story fodder. Living life keeps me full of ideas. Oddly, though, I’m coming to realize I never really read much of the works by female authors who are my age mates. It’s weird to discover this 30 years later as I begin to get my work published myself. I think we were all influenced by the same things, but in my teens and 20s, when I was really writing full-length novels at full speed, one after another, I read almost exclusively male science fiction authors or non-fiction works.

I never read the big names that started out in the 70s and 80s: Anne McCaffrey, Ursula K. LeGuin, Octavia Butler, and my now-favorite, Lois McMaster Bujold not to mention a host of others who won major awards while I was working white collar middle management jobs and writing “art for art’s sake” (not to share or publish). I wrote a lot, daily at least, more so on the weekends but I’d frequently go a day or two without sleep and just write for 12 hours in between my day job shifts. I worked in offices at unchallenging secretarial jobs back then, before I went to college. I had plenty of time to rest my brain at work (LOL)

During the 80s and 90s, I read a lot more of the scientific journals and other non-fiction (history) than I did fiction authors. I think if I’d read something like Butler’s Xenogenesis Trilogy (Lilith’s Brood) which I just read this year, either before or during the time I was originating The Phoenician Series, I would have decided to be “lazy” (like I think she was) and not have bothered writing in any of the actual science in my science fiction.

John Campbell would have rolled over in his grave to see Butler’s trilogy called “science fiction” because there’s no actual science in it. There’s a vague reference to it, sideways, but conversational hand-waving does not a science fiction story make. Back then, just knowing Campbell was out there and might read something of mine one day, even just “by accident,” made me feel like I had to live up to what I call the Campbell Standard of science in my SciFi. Campbell summarily rejected better stories than Butler’s Xenogenesis trilogy for a lack of scientific basis. I wanted to be good enough for the Campbell Standard, so I focused on learning as much science as I could. In fact, that’s why I got a degree in Mechanical Engineering: for the first-hand knowledge of the math and sciences required. It just so happens I truly enjoy subjects like chemistry and physics, though, so it worked out all right. I just think the universe is a fascinating set of contradictions once you learn how it all works!

Do you have a specific writing routine?

Not really. I’m actually in the process of redefining my writing habits into a routine I can follow. I want to learn how to outline, how to plan, how to schedule pieces so I can divvy up my life into bite-sized pieces. I’m not sure I can be truly creative that way. We shall see how “organizing my art” actually works out for me ((smirk)) I’m a practically compulsive type of planner and scheduler in the rest of my life. I have no idea why I never applied my management skills to my writing. Probably because I’m afraid I’ll squash the creativity.

I’ve never specifically assigned myself a task to complete (i.e., write thus and such a scene today, then that one tomorrow, etc.) I’ve always just sat down and written whatever might pop into my head, usually starting at “The End” and working back towards the plot climax, then I skip around writing scenes, then I fill in the middle, and lastly, I try to write an opener that makes sense for the book I’ve already sketched out. It’s a system that has worked extremely well for me, but it’s hardly one I’d call “specific” or “routine.” I don’t even know if I could duplicate this process with any reliability. So I’m working on developing a reliable routine I can duplicate, predict, schedule and evaluate for effectiveness. Yeah, I’m that compulsively organized! So far, I’m doing all promo and no writing. I think this system is broken (haha) Wait, is this thing on?

Outliner or improviser? Fast or slow writer?

I answered the first question already and as to the second: very fast! I can easily turn out a first draft of 120,000 to 150,000 words in 3-4 weeks—assuming I don’t need to work a day job or do anything else. If my books are self-supporting, I could turn out multiple books very quickly. I am never—I repeat, n-e-v-e-r—at a loss for ideas or words to write. Or at least in my 51 years of life and 42 years of writing, I have never once attempted to write and been “unable” to do so. I’ve been distracted by real-life emergencies (you know, like work and buying or eating food) but my mind has never been unable to conceive of a story if I allow it to run unfettered.

I don’t edit while writing. I know a lot of writers do. I don’t. Deliberately. After I churn out the initial material, I go through numerous drafts honing and fine-tuning and tweaking sentences and correcting typos and filling in things I forgot to mention, etc. That’s all editing of one form or another and not writing; I edit very slowly. It’s quite a different beast than writing. I call writing “creative” while editing is “destructive.” Mostly I think they are opposites because I don’t care what I churn out during “writing” but I try to be ruthless in my slaughter during “editing.” It doesn’t always work. I need outside help for the “wet work” I think.

On that note, I’m just starting to work with others on the editing process. I’ve never done that before. I’ve always solicited people to read but not to edit. I call these people First Readers (FRs) because they like/read the kinds of stuff I write and take a look at my work then make comments. I don’t allow them access to the files or allow them to do any real editing of the content, so basically, it’s like getting early reviews and then changing the book.

Now, however, I’m working with people who are attempting to edit me, and are either professional editors or want to be professional editors. It’s a learning experience for both me and some of them. After more than a quarter century, I’m pretty good at posing questions to guide readers into the process of critiquing rather than giving opinions. With editors, however, I’m still learning how to exploit what they have to offer without losing months worth of time going through their changes afterwards and having to put things back the way I had them when I don’t agree with their suggested changes. Bottom line, after turning over a file once, I don’t think I’ll be doing it again. I think I’ll stick to the process that has worked for me for over 25 years.

I find the very best editor or editorial assistance will be when someone explains to me what’s wrong and then leaves it up to me to figure out how to fix it, rather than telling me what’s wrong and how they think it should be changed. It’s a subtle grey line between advice-giving and the realm of the AuthorGod’s creative license. I think an editor who “rewrites” an Author has overstepped their bounds. At least with me. With that in mind, I can say I’ve been truly blessed to find editorial help that works precisely the way I do. Cassie McCown at Gathering Leaves and I are a perfect match! Well, we’ll be a perfect match once I can afford to pay her what she’s worth—which ain’t cheap! She’s amazing.

I confess I do have one friend I’ve known online for about 25 years but have never met in person. Because he and I have communicated exclusively in writing and done so for a quarter of a century, he is uniquely qualified to practically read my mind when I leave a word out or misstate something. He knows what I mean rather than what I wrote. It’s like magic. We still misunderstand each other in email, though. It’s hilarious. I am currently a porcupine. May I shed my quills and use them for Good (writing) not Evil? Only time will tell!

Tell us about your latest book (add link if published)

I’ve just released the first of my Classic SciFi/Thrillers in The Phoenician Series: Conditioned Response which yes, is Book 2 of the series. The books were all written years ago, when I was 20ish, and centered around this one character I mentioned earlier named Joshua Andrew Caine. He’s a little more pompous now than he was when I first imagined him. As a teenager, I had a big crush on Dudley Do-Right (the blond Canadian Mounted Police man in the cartoons). I think I liked Dudley Do-Right because Joshua was a blond, not the other way around, though I definitely lifted a few of Dudley’s Good Guy traits to endow Joshua with some angelic qualities. He’s none of that now; he’s completely full of himself in Conditioned Response.

I haven’t written Book 1 yet. Conditioned Response was edited in 2005 both for a change to the setting (I took it off-Earth) and to create a new tossaway character, some “guy on the street” named Raif, who is a Proctor, or basically a cop (there’s that Dudley Do-Right thing again). As soon as I got Raif written down on the page, the guy outshined Joshua to the point of pushing him right off the pages of the entire book! Raif, I guess, took Joshua’s place as the central male character in Conditioned Response.

In fact, Raif took over enough I needed to renumber the books and make Conditioned Response Book 2 so that I could write a whole book just for Raif which will be Book 1. It’ll come out in 2013 (I hope!) What I have done is begin to go back in time, writing prequels. It’s really fun. Theoretically, I could do this indefinitely. I won’t, but I could.

I plan to release Book 1 next and then move forward with the series in its normal chronological order. Since the later books are already written and just need to be edited, I estimate a 6-9 month per book schedule but it could take longer. We’ll have to see. I won’t release something halfway done.

The universe of The Phoenician Series is still centered around Joshua Andrew Caine—he’d have it no other way!—but Book 1 will be Joshua’s past, who he was, has been, will have to resolve to end being. In Book 2, Conditioned Response, Raif will be Joshua’s present; and in Book 3, Brennan will become Joshua’s future. I cannot tell you who is the central male lead character in Book 4 or I’ll be giving away the end of the series ((grin)) The point is that the entire series keeps coming back to Joshua Andrew Caine.

Because of this, it occurred to me to write a prequel talking about Joshua, kind of to tide people over while I work on editing Book 1. I’m about halfway through writing a short story titled When Minds Collide which will tell the story of how Joshua Andrew Caine came into existence. He didn’t always used to be … the man you meet in Conditioned Response.

I’ve got a snippet of the early draft opening paragraphs for When Minds Collide on Goodreads. I’ll be releasing that as a free giveaway through Smashwords, so it’ll be at all of the regular eTailer sites (e.g., iTunes, Kobo, Nook, etc.) I’ll upload it directly to the Amazon Kindle store but they don’t like to let Indie Authors price books as “free” unless we join/enroll in their program granting them exclusive rights for a period of 90 days (3 months). I don’t see the point in limiting my readers on purpose so I’m going with the 99c option I guess. Whatever it takes. Smashwords will allow me to make it free. Get it there 🙂 Or read the intro sample here and now if you just can’t wait to get more of The Phoenician Series.

Indie publishing or traditional publishing – and why?

Indie for now, definitely. In part, it’s a control issue and partly it’s an impatience issue. I don’t have the patience to query a publisher (who will take 85% or more of my profits off the top) and then wait 3 months to be told “No, we won’t look at your work” and not have a clue as to why not.

Nor do I want to waste time to solicit agents who will take 12.5% of my remaining 15% only to have some agent tell me my work needs to be changed like this and that and the other thing. Why? So they can sell it to their good buddy at thus-and-such a known publishing house instead of going out and working to find my market where they already exist? There are readers out there for nearly everything. You just have to find them—and an agent works with people he or she already knows. The traditional publishing model is absolutely all about “who you know” not “what you write.”

I’d rather deliver the entire set of books in The Phoenician Seriesmy way and then let the work speak for itself. If a traditional publisher wants to approach me, I can guarantee them I have a few dozen more books “in the drawer” already set to be professionally edited into salable and marketable format. The ideas I had in my teens and 20s are still fresh and original from what I’ve read. I’m a pretty voracious reader but I have to confess, I haven’t been interested in much of the cookie cutter stuff of the last ten or so years. I still enjoy my own work. Repeatedly.

If a publisher like Tor/Forge or even a smaller one like Baen Books approached me, I’d definitely take the meeting and think long and hard about how I can sell them some of my books without sacrificing my established brand. There’s always a pen name. Oh yeah, that’s right, I’m already doing that! (LOL)

What is your goal as a writer and what are you doing to achieve it?

I am both an Indie Author and an Indie Publisher, with some plans in the future to publish other Indie Authors. As such, I know what it takes to market a book and you don’t try to sell apples to people who love bananas. It just doesn’t work. There are so many people who love apples, why even try? Just go to your market instead of expecting your market to come to you. It’s so upsidedown sometimes.

I want to release my first work myself but that doesn’t mean I want to keep doing it all myself. I’d rather write more books! (LOL) I guess my real long-term goal is to get a traditional publisher to take over my marketing and promotion or better yet, get a sufficient and ongoing stream of revenue from my books that I can just hire a PR firm full-time to do it all. I can run an Indie Publishing house and write books if I hire a PR firm to do the promotion and marketing.

In fact, I’d like to hire someone else to do all of the crap that goes with being a small business owner—and being an Indie Author, not to mention an Indie Publisher, is definitely being a small business owner. Then I can focus on writing the next book. That’s my goal. Write full-time without sacrificing the need to stay in business.

I’m just over 50 now. Even with my lightning speeds, I can’t possibly write and release all of the books I have in me before I die. I have too many books in my head and more arriving every day! That’s not bragging. That’s the reality I live with: I don’t have enough time left to write everything I want to write. It’s both exciting and sad.

I have a solid handle on the promotional activity and simply need to spend the time and effort on it. Promoting a book is a full-time job. Promoting and writing is more than a full-time job. Promoting and writing and reading and learning and living life…that’s more than 3 full-time jobs. My future is definitely going to include hiring a PR firm for the marketing and promotion stuff. I’ll handle the rest of that list myself. With pleasure.((grin))

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